Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Wednesday, October 3, 2018

getting the hump.


Day 3 of 31 Days of Horror and I'm already at the point of pulling random shite from the shelves.

Camel Spiders (2011).
Dir: Jim Wynorski.
Cast:  Brian Krause, C. Thomas Howell, Melissa Brasselle, GiGi Erneta, Matthew Borlenghi, Diana Terranova, Michael Swan, Kurt Yaeger, Jessica Cameron and Jon Mack.

“Mom, are we gonna die?”
"No honey, we’re going to be alright.”
 “If we’re not gonna die, can you and daddy get back together?”




Somewhere deep in the desert outside LA (sorry Iraq, or is it Afghanistan? um...Blackpool maybe?) a crack squad of  - at least six - American soldiers are engaged in a bloody Nerf battle against a couple of tanned Hollywood extras resplendent in their dads pajamas coupled with novelty beards and a selection of tea towels on their heads.

They'll be the evil Middle Eastern Insurgent types then.

Either that or the nativity rehearsals have started early. 

Leading the battle for universal democracy is Captain Dave Sturges (Sleepwalkers Krause) who, after running around randomly till he gets 'a cap in his ass' (as the youngsters say) is surprised to see the wicked towel-heads dragged away into the nearby rocks kicking and screaming by an unseen enemy.

GI Joe: Now with 'licking piss off John Nettles' mooth action.


Hiding behind boxes till the shooting stops (save they kill any British troops/hostages etc.), Sturges orders his men to round up any weapons, wallets or shiny things left lying around (all in the name of freedom you understand) before heading over to examine the only body left after the carnage.

A body covered in big blistering sores.

“A Desert Devil did this then ran away”. Explains the medic enigmatically.

Which is obviously a complete lie seeing as 'The Desert Devil' (or prickly Devil as it's better known) is a lizard that only lives in Australia.

Whereas this film is about spiders.

Or is it camels?

A Desert Devil yesterday.


Anyway, whilst all this David Attenborough style animal chat is going down no-one notices the family of spiders crawling toward a conveniently open body bag and into the dead soldiers mouth, all set for a trip to Hollywood and cinematic fame.

This is more than likely because they were shoddily added on in post production by a blind man using an Amiga.

Attenborough: don't let this swim up your arse.


Thanks to the magic of blue screen we're now in the good ol' US of A, where Sturges and a frighteningly chested stripper sergeant Shelly Underwood (Brasselle star of the Eric Roberts classic Raptor) are transporting the body via truck to somewhere important.

The town of Plot contrivance-ville probably.

Their journey is cut short tho' due to former brat-packer C. Thomas Howell (hiding his - and our - shame behind a fake porn 'tache and Stetson as Sheriff Billy Beaumont) forcing a random guy he's chasing to crash into Sturges' ride.

And by that I mean the van not sergeant Underwood, causing the coffin to come shooting out the back of the vehicle and trundle down the road before crashing to a halt and releasing a couple of pesky camel spiders into the desert and freedom.

Arse.

Brasselle: the lights are on.


Meanwhile four random 'teenagers' (aye right, the youngest looks about 35) are enjoying a desert based drinking party with the hope of a wee bit of 'the sex' thrown in but the big of bone Melissa isn't too keen on shagging someone who looks old enough to be her dad and strops off to the car, leaving her beau to have his cock bitten off by a CGI spider whilst his friends run around screaming as if waiting for the animator to pop the spiders on them too.

Melissa manages to make it to the local grocers where she's horrified to find the owners webbed to the wall like novelty Christmas ornaments.

As we are all aware tho' camel spiders don't spin webs so fuck knows who's to blame for the mess.

 An angry Tom Holland perhaps?

 Not that she has time to worry tho' as she's soon caught and eaten.

Shame.

"Are you looking at my bra?"

Whilst Sturges and Beaumont swap insurance information and bond over coffee and flapjacks at the local diner the plot moves on good and proper with the evil local businessman planning to buy up the town as a group of 'kids' (including the frankly fantastic Jessica Cameron from Death of The Dead) head out on a field trip with their professor to the local park to look for dinosaur fossils.

No surprises then that the group are ambushed by spiders leaving the remaining four teens to seek refuge in an abandoned house.

Luckily one of the group (whom we will call Terry)  managed to take a photo of one of the critters and by checking it against his phones built-in encyclopaedia manages to deduce that the camel spider has a bite that's "fairly fatal”.

And six legs.

Well researched eh?
 
But let's be honest it's more background than any of the onscreen characters get as I'm at a loss to remember who anyone is and I'm actually watching the movie as I type.

Almost as if the writer can hear me we suddenly have a wee bit of 'the character development' with some sickeningly sweet dialogue between lard boy Carl and his secret wife Gina (played by a homeless Tori Amos) which is as uncomfortable as it is misplaced.

Luckily the fat boy is quickly dispatched, scoffed by spiders hiding in a biscuit tin, giving Terry, Tori and Ms. Cameron time to tearfully leg it across the lawn towards the local carpark.

Jessica Cameron: cut up like a pig in a market.


Back at the diner all Hell has broken loose (well stumbled drunkenly out of the toilets) as the spiders busy themselves making mincemeat of the regulars, leaving Sturges and Beaumont, alongside owners Reba and Joe (the wide-faced Erneta, another star of Raptor and Piranhaconda's Yaeger) to hold off the attack as Underwood tries not to pop out of her army fatigues whilst getting the survivors into her van.

Which, I would like to point out does not have candy inside.

"Either of you boys fancy a nice hot mooth shite-in?"


It seems the plan is to head toward the bad guys warehouse in an attempt to hide from the spiders till help arrives but first the director takes the opportunity to give the audience a chance to really get to know the characters and showcase the amazing acting talent on show.

There's Senga and Albert who are about to divorce, much to the chagrin of their daughter Alan; the airhead waitress Fiona who is trying to get into peace-nik Peters pants and Terry Badman and Tony Notsobadman who spend the time arguing over who's in charge.

It's like a Cinéma vérité version of Eastenders filmed in a shed with a slightly drunken cast whose first language unfortunately isn't English.

And with added spiders obviously.

GiGi Erneta: slippery when wet.


Surprisingly everything goes to plan and with no casualties and the survivors - after some uncomfortable hugging - bed down for the night.

Waking the next morning and realising that absolutely fuck all of interest has occurred for at least 10 minutes, the sheriff decides to shake things up a wee bit (literally) and sneaks out for a tearful wank and a Pot Noodle but is cruelly struck down mid stroke by one of the angry arachnids, leaving Sturges to formulate a mad as a lorry plan to make a break for a nearby truck (which makes a change from transit vans) that involves splitting everyone into teams before traveling backwards and forwards to pick everyone up.

This is rather than everyone just run out together, shoot a few spiders then drive away.

"Aim at the dog!"


Cue ten minutes of shady 'shooting a toy gun' acting with everyone pointing in different directions, some high and some low.

Pay close attention to Underwood tho' as she cradles her pound shop machine gun like a child dancing partner, swaying to and fro' as if hypnotized by some unheard glam rock tune.

As is always the way in these things, Terry Badman manages to screw everything up by running outside before his turn and getting eaten, which then causes some minor confusion allowing the divorcing couples daughter to run off leading to Joe and Tony Notsobadman getting scoffed too.


Don't worry tho' the wee girl is eventually rescued by Underwood who is, in turn rescued by Sturges.

Phew.


Underwood, overground, wobbling free.

The surviving folk finally manage to get into the truck and spend a few minutes randomly shooting spiders off the warehouse roof before preparing to drive off as, in the distance two Airfix model jet planes fly shakily toward the building.

Will our heroes escape in time?

Will the spiders survive?

And who actually gives a fuck?

"GRRRRAAAARRRRR!"


It's almost as if cheap as chips 'director' Jim Wynorski has been around forever, a never improving, never achieving ne'er was languishing in the seedy backwaters of the cinematic sewer.

From the magnificently average Chopping Mall to the frankly shite Return of Swamp Thing via The Bare Wench Project, Wynorski  is still plodding along making shite that no-one likes but everyone has seen.

Except for The Hills Have Thighs obviously.

But surprisingly, compared to his previous efforts Camel Spiders isn't actually that bad.

Saying that tho' it's the equivalent to choosing between a rusty nail to the nut or one to the eye.

Worth a watch if you're clinically insane or have a thing for plastic creepy crawlies and even more plastic breasts.

Fuck this is going to be a long month.

Tuesday, October 2, 2018

bloodsucka!

31 Days of Horror day the second and a good an excuse as ever to rewatch this old favourite....

Enjoy.

Blacula (1974).
Dir: William Crain.
Cast: William Marshall, Vonetta McGee, Denise Nicholas, Ted Harris, Rick Metzler, Gordon Pinsent, Lance Taylor Snr., Emily Yancy, Charles Macaulay and Thalmus Rasulala.

"You shall pay, black prince. I shall place a curse of suffering on you that will doom you to a living hell. I curse you with my name. You shall be… Blacula!"



The year is 1780 and Count Dracula is busy entertaining studly African Prince Terry Mamuwalde (The King of Cartoons himself, Marshall) and his luscious lady-wife Luva (McGee from Shaft in Africa and Hammer among other top movies...meow!) at his castle in downtown Transylvania.

It seems that Dracula has invited these guests from the “dark continent” (and no that doesn't mean the West Midlands) to discuss Mamuwalde's plan to rid the world of slavery and see his people accepted as equals.

And Mamuwalde reckons that with Dracula’s help this dream can become a reality.

The evening appears to be going swimmingly until Dracula, slightly tipsy on Vodka and Red Bull decides to not only extol the merits of the slave trade but also admit that he's always fancied buying a charming Negress like Mrs. Mamuwalde just so he could touch her bum.

His wife, nation and sexiness insulted, Mamuwalde begins to smash the furniture before threatening to sodomize the Count with a chair leg and only a surprise appearance from Dracula's well trained army of ninja butlers stops this threat from becoming a reality.

"Spice Girls number one for Christmas....MONSTA!"

Outnumbered (but not outfunked) the saucily sideburned servants succeed in overpowering the Prince, giving Dracula's newly risen Pikey brides time to grab Luva whilst dribbling thru' their ill fitting pound shop teeth.

As a final indignity Dracula bites poor Mamuwalde and places him in a coffin before cursing the prince with his own name.

"From now on" Dracula intones in a vaguely sinister fashion "You shall be known as…Blacula!"

Slamming the coffin shut, the Prince of Darkness has it and Luva bricked up in a convenient alcove where she shall slowly die from starvation as her husband scratches away at the coffin lid....

And cue funky sounds!

"I fang you!"



After titles that would make John Kricfalusi proud we return to present day (well 1972) Transylvania where camp as knickers Interior decorators Bobby and Billy (Harris and Metzler from some other movies possibly) have traveled from the good ol' US of A in order to collect all the fittings and furnishings from Dracula's castle as part of a government funded carboot sale.

It could happen.


Whilst their guide regales them with blood curdling tales of Count Dracula, Bobby is busying himself in the Counts back passage where he comes across the tomb containing Mamuwalde’s coffin.

Never one to knock back a nice bit of wood Bobby begs the guide to let him have it to which the helpful Romanian gladly obliges.

Oh yes, he gives him the coffin too.

Back home in Los Angeles, our preening pals are busy unpacking their large containers when Billy, always the joker, has the oh-so-wacky idea of swapping the coffin they purchased for the bed in their guest bedroom.

A scarily early warning about AIDS or just a convenient way to wake the Count?

YOU decide.

Using all his strength  Bobby manages to pry open the lock on the coffin but Billy (being clumsy as fuck...must be the way he flaps his arms when he speaks) slashes his hand on the coffins knob.

Screaming and shouting about his cut whilst crying on his pal's shoulder, the flamboyant fellows fail to notice the coffin beginning to open.

From the inside.

They've got something to put in you.

Yup, Blacula is back and on the loose in LA, rising from his coffin he makes easy pickings of our pillow biting pals before, um, going back to sleep.

Oh well.

It's the next day and we're at a funky funeral home where a 'service' for Bobby is about to be held but hark, who's the mystery man in black skulking in the background?

That'll be Blacula then, spookily staring at the corpse whilst wriggling his fingers, his vampire powers slowly bringing Bobby back to life as a servant of the undead.

Creepy.

Luckily for us these spooky shenanigans are interrupted by the arrival of jolly undertaker Mr. Swenson (Sanford and Son's Taylor) and a small group of mourners consisting of the funktastically 'tashed Doctor Gordon Thomas (Blaxploitation stalwart Rasulala), his girlfriend Michelle (Ghost Dad's Nicholas) and her purple clad, hooded sister Tina (McGee again...can you see where this is going?).

As Gordon, Michelle and Tina chat uncomfortably over the big blue stiff, Tina removes her hood to reveal her stunning visage leaving Blacula speechless at the resemblance to his dead wife.

Pre-walled up in a castle that is.

Laugh now!


Intrigued by the apparent bite marks on Bobby's neck, gorgeous Gordon whips out his scientific credentials and begins to question of cuddly undertaker pal who informs him that as well as the human mouth sized bite, Bobby’s veins were also empty of blood.

Gordon, his brow furrowed in a look usually kept for when he's pleasuring the ladies, briskly turns and heads for his lab  prompting Swenson to exclaim “That is the rudest nigger I ever met!” 

Which gives it the edge over Eastenders in the realism stakes I guess.

Meanwhile Tina, tired from having to be so sexy all day, decides that rather than go visit poor Bobby’s snot faced gurgling mother’s place with Michelle she'd much prefer to go home and relax with a nice bath, some romantic girl-porn and various fresh vegetables.

As she clip clops along the sidewalk in an outfit that would shame Liberace, Tina soon begins to sense that she is not quite alone.

Quickening her pace, she runs around the corner and comes face to face with Blacula himself who decides to break the ice by calling her "Luva".

As any sane person would do in that situation, Tina turns tail and hoofs it down the street dropping her purse in the process.

Not too surprisingly our velvet clad vamp finds it.

Just before he's hit by a cab which appears to be driven by Martin Lawrence in full Big Momma's House mode.

After much slagging and pushing from the driver, Blacula obviously bored with getting called 'Boy!' whilst getting man-handled by a crossdressing former Will Smith co-star finally bites the cabbie to death.

"Yo crazy biatch! etc".


Worn out by this sudden burst of ultra-violence Blacula heads home to bed.

Well daylight come and we’re off to the local police station where Gordon is busy chatting with Sam the morgue man as regards to the dead cabbie found the following night, looking over the body Gordon is shocked to find two puncture marks on the neck.

Just like on that gay bloke.

Could this be a clue?

Well crusty police lieutenant Jack Peters reckons it’s the Black Panthers (or an actual black panther, I'm not sure) but Gordon disagrees reckoning it's more likely to be bin men or gypsies.

Or maybe rats.

And with that, Gordon, planning on spending the day organizing Michelle’s birthday, bids his farewells and struts off into the city.

Dig?

Beware Blacula's cum face.

The birthday bash beckons down at Paul Barron's club, where top pop trio The Hues Corporation are entertaining the crowds as Gordon, Michelle and Tina enjoy some ice cold Colt 45 and flapjacks.

Probably.

Anyway striding manfully thu' the front door like some negative Jon Pertwee comes Blacula who uses Tina's purse as an excuse to join the party alongside comedy jivester Skillet who's just there for the champagne.

Everything is going swimmingly till local photographer and full time hot pants model Nancy (teevee stalwart Yancy) takes a couple of photo's of the group causing Blacula to freak out at the sudden flash.

Making his excuses he leaves, only to hide behind Nancy's bins waiting for a moment to strike.

You see, our bloodsucking brother doesn't show up on photographs.

When and how he learned this is never explained probably because it would get in the way of the killings.

"I need to crack this, Dag, cos if not, Won Ton will be all over me like knockers in a wind tunnel".


Nancy stumbles into the street and straight into the arms of erstwhile Sergeant John Barnes, who just happens to be heading to the party with a load of autopsy photo's for Gordon (don't ask) but as he prepares to call for help she sprouts fangs and bites him.

Deciding that all these bitings must be related, Gordon gets Michelle a stack of books on ghouls and vampires from the library whilst he attempts to get a permit to exhume Billy’s (remember him?) body.

Unfortunately the DA knocks his request back, meaning our hairy hero has no choice but to turn graverobber, obviously Michelle refuses to help but Gordon manages to persuade her with lots and lots of sweet kisses and a couple of nipple pinches.

He the man as the young folk say.

As she heads home to change into some old clothes, Gordon takes the time to polish himself off whilst looking over some of the books from the library.

Fair enough.

Blood in mah mooth!

Whilst all this seventies style digging is going down, Blacula shows up at Tina’s door desperate to see her and Tina, being a girl in a horror movie, invites him in.

Cue a long and convoluted chat to fill in the backstory for those to busy (or thick) to remember that basically goes from  "Ooooh we have  a connection" to "I'm an undead African Prince who is now a vampire" via "you're my  wife reincarnated (now)".

Frighteningly this line of chat actually works and it's not long before Tina and Blacula are at it on the sofa like crazy things.

"Put it in me!"


Things are hotting up at the graveyard to, for no sooner has Gordon opened Billy's coffin than the ghoulish gay comes flying out like a slightly camp jack in the box.

Albeit one with huge plastic fangs and a face plastered in green emulsion.

Luckily Gordon has come prepared and quickly pulls out his trusty stake and thrusts it into Billy before beating him off with a shovel.

Noticing that Michelle has pissed herself with fear he quickly explains that Billy was a vampire so it's not really murder.

Hmmm, must remember to try that one next time I'm in court.

Quick as a very quick thing Michelle realizes that this means Bobby must also be a vampire.

A vampire on the loose somewhere in the city!

Gordon frantically phones Peters to explain the situation before remembering that Martin Lawrence is still in the morgue.

Hanging up on Peters he rings Sam to warn him not to take the body out of the freezer but Sam is busy having a big poo and when he returns he too is murdered.

Arse. 

Vonetta McGee: your dad did. Twice.


Realizing that all this started with the arrival of all that antique shite from Transylvania, Gordon begins to suspect that the legends of Count Dracula must be true.

But no-one can recall seeing a flamboyant white guy prowling the streets.

Eventually (after a few more murders and a good many snogs from Blacula) he realizes the truth about Mamuwalde, meaning it's a race against time to save the city and ultimately his sisters soul (both eternal and arse) from our lovelorn bloodsucker.






Released at the height of the seventies blaxploitation boom, William Crain's  Blacula s not only the most fondly remembered of the the black horror (or Blorror) cycle but quite possibly the best too.

Most of the movies success tho' is down to it's fantastic cast and none more so than actor William Marshall, playing he tragic yet terrifying Prince Mamuwalde  with a conviction rarely seen in movies of this ilk.

With his booming baritone voice and commanding presence, Marshall totally (and believably) instills the character of Blacula with a quiet humanity that works well to juxtapose the more frightening aspects of what could have been, in a lesser actors hands a one note and quite possibly laughable villain.

Whilst the director failed to reach the same dizzy heights with the Bernie Casey starrer Dr. Black and Mister Hyde before returning to teevee, Blacula returned to face off against the one and only Pam Grier in the Scream Blacula Scream.

Worth ninety minutes of anyone’s time, if only to see where Richard Ayoade got the idea for Dean Learner from.

Highly recommended.

Twice.

Sunday, September 23, 2018

dressed for excess.

Brilliant article over at Vintage Everyday showcasing Jacques Fonteray and Paco Rabanne's frankly fantastic costume designs for the 1968 Roger Vadim movie Barbarella.


Enjoy a taster.

















Saturday, September 22, 2018

one dark knight...

With all the buzz surrounding the Todd Phillips directed, Joaquin Phoenix starring Joker movie culminating in the first stills of Phoenix as the Clown Prince of Crime being released this week I remembered a very lucid bat-based dream I experienced a couple of years back after partaking in a few ales.

"Laugh Now!"



Luckily I awoke to find a pen and paper on the bedside cabinet and excitedly wrote it down.

Obviously I did this before I noticed the dead rent boy at the bottom of the bed but that's a different story.

Obviously it has to be based on The Dark Knight Returns due to the fact that in the passed 30-odd years it appears that no fucker as ever read anything else.

So anyway, here goes*.


"No, Joker. You’re playing the wrong game. The old game. Tonight you’re taking no hostages. Tonight I’m taking no prisoners!" John Cassavetes as an older, wiser Bruce Wayne.


'Batman: The Dark Knight Returns'

(loosely) based on the graphic novel by Frank Miller.


Dir.
Nicolas Winding Refn.

Prod: Stanley Kubrick.

Adapted for the screen by Truman Capote and Anthony Burgess

Original music: Cliff Martinez and Wendy Carlos.


Cast:


Bruce Wayne/Batman: John Cassavetes

The Joker: Malcolm McDowell
 

Commissioner Gordon: Lee Marvin

Two Face:
Udo Kier
 

Alfred Pennyworth: Vincent Price

Robin: Emma Stone

Superman: John Phillip Law 


Bruno: Ajita Wilson

Oliver Queen: Doug McClure

Selina Kyle: Helga Line

Dave Endochrine: Dustin Hoffman.








For added realism McDowell actually underwent a painful bleaching process to obtain The Joker's deathly pallor.
 

Despised by critics yet loved by cinema goers,
the big screen adaptation of The Dark Knight Returns popularity among lefties annoyed it's creator, Frank Miller so much that vowed never to allow another one of his stories to be adapted in any medium. 

Eventually, after realizing that he needed cash for a new cowboy hat he relented and finally allowed all of his properties to be adapted by anyone with a dollar and/or right wing leanings.





The Bat mask interior as envisaged by  Jean Giraud


 


The behind the scenes story is as exciting as anything on screen tho', with triple Oscar winner Nicolas Winding Refn taking over the project after Dario Argento, Alejandro Jodorwosky, Shane Black, John Boorman, and Takashi Miike failed to stay attached to the film. 

During the Jodorwosky production, Mick Jagger was slated to play the Joker, tho' Jagger reportedly actually appeared on set, his scenes shot at various locations around the world due to The Rolling Stones being in the middle of a world tour.

These scenes were to be inserted into the final film at a later date using technology created by producer Stanley Kubrick. 

It was this period that saw pre-production costs spiraling 12 years and 250 million dollars over-budget, almost bankrupting Warner Brothers and causing Jodorwosky to secretly escape from America seeking refuge in Mexico where he hoped to film the entire movie and where construction of the full sized Gotham City sets had begun in earnest

The Jean Giraud inspired Batmobile. 47 different versions were built for the film.


Trivia:

Some of the concept art by French cartoonist Jean (Moebius) Giraud were eventually used in Terry Zwigoff's stage adaptation of Marvel's Alpha Flight (2019).

Scarily Klaus Kinski was cast as the Joker for Argento's version and 70% percent of his scenes were in the can before he became increasingly deluded that he was being stalked by Mick Jagger in revenge for 'stealing' his role. 


Three weeks before the end of shooting Kinski disappeared on the same day that Jagger went missing from a Florida hotel room.

After a countrywide search it was discovered that after numerous phone altercations with the Jagger, Kinski had kidnapped the singer in an attempt to replace him on stage and during a gig in Washington blow himself and the rest of The Stones to pieces in revenge for what he said were Great Britain's crimes against popular culture.

No charges were filed.



























*If anyone from Warner's is reading this I'm available.

Thursday, September 20, 2018

bigfoot strikes again.

Between The Abominable Snowman and Abominable I've been on a wee bit of a Bigfoot bender recently - there are plenty more Sasquatch-based shockers here, see if you can find them, go on it's fun! - but thought I'd save the best till last.

And it's a true story.

Enjoy.


Sasquatch, the Legend of Bigfoot (1977).
Dir: Ed Ragozzino.
Cast: Chuck Evans, Terry Blackhawk, Josh Bigsby, Bob Vernon, Dr. Paul Markham, Barney Snipe and Hank Parshall.*





The incredible story of seven men who defied death in a primitive wilderness where no man had gone before.... and survived to tell the shocking story of this legendary creature.


Opening with some jaunty country type tunes over - burned out and blurry - stock footage of a variety of forest dwelling wildlife, living in harmony and frolicking about with gay abandon the mood suddenly changes and, like some kind of Disney style snuff movie, the ickle animals soon become agitated as an unseen presence (played by a big booted cameraman) stalks them off-screen culminating with the - frankly trouser filling - view of a hairy outline reflected in a stream while the sound of someone slamming a dogs bollocks in a car door echoes thu' the forest.

And if that don't grab ya I don't know what will.

Obviously the film-makers do tho' as after some lovely Letraset titles the screen is awash with zooming newspaper cuttings all to do with Bigfoot sightings over the years climaxing with the frankly terrifying Patterson–Gimlin film, shot by Roger Patterson on October 20, 1967, in Bluff Creek, California.

You know the one, it shows Bigfoot, cunningly disguised as a tall bloke in a moth-eaten gorilla outfit, strolling nonchalantly along a dry creek bed.

Seems legit.



The spooky voice-over guy goes on - in great detail - to explain that by 'inputting' every piece of Bigfoot data into a 'computer' that scientists working at the real sounding "North American Wildlife Research Centre" can discover the best place to look for him and after Govan is rejected for being too far away from the directors house the computer suggests a remote site in British Columbia.

Where luckily quite a few film-making tax breaks apply.

Enter - roughly against an old log, your dirty sausage fingers tearing at his filthy denims - Sasquatch expert and professor of tidy beards Chuck Evans (father of Chris, both of them) who has recently secured funding to mount an expedition in the hope of verifying the creature's existence.

Along for the ride is his seven man team of experts including Native American (aye right) tracker Terry Blackhawk, stinky chinned frontiersman  Josh Aloysius Bigsby (and his faithful mule Ted), New Yoik newshound 'Bouncy' Bob Vernon, anthropologist Dr. Paul Markham, chief cook and concubine Barney 'The Beast' Snipe and animal husbandry expert - and dog handler - the ginger prince 'Handsome' Hank Parshall who are all set to spend a few months on horseback as they descend into an uncharted wildness in order to find the mythical beast.

Or at the very least find some comfort in a nice hot piece of man ass on a cold snowy night.

No?

Just me then.

Erasure have let themselves go.





And with the introductions out of they way we're off into the woods for an adventure of a lifetime.

Well it would be if an adventure of a lifetime involved copious amounts of dull, unfocused shots of various unattractive blokes on horseback, gurning at each other whilst occasionally to stop you falling asleep/slashing your wrists with boredom someone hurls a drugged cougar at a pony to up the excitement factor.

What?

It is?

Well this is the film for you.

It's not all nature shots and animal abuse tho' as at various points in the film - usually just when you need the toilet - everyone will dismount and sit on logs whilst Josh Bigsby tugs on his beard and tells a true story pertaining to the Bigfoot.

The first of these you'll be thrilled to hear is the shit scary Ape Canyon incident, which took place near Mt. St. Helens in Washington State in July, 1924.

On a Wednesday.

Probably around teatime.

See? I knew you'd be excited.

But for those thick plebs who have no idea what we're talking about, here goes....

Fred Beck (father of The Devil's Haircut singer Beckley Beck) and his pals - played here by a group of local winos on the promise of a hot meal and a bed for the night - were busy 'panning for gold' in the hills surrounding the aforementioned  Ape Canyon when they began to notice evidence of unwanted visitors around their cabin.

Huge footprints in the dirt, shit in the butter dish and the toilet seat being left up, you know the kind of thing.

Putting it down to either their vivid imaginations - or wolves - the men, after a hard day looking for gold, head off to bed only to be rudely awakened not by the dustman but by a big hairy brute trying to break in and steal their shoes.

Cue much blurry day for night footage of men screaming whilst the same bit of film of a man in an ape suit, silhouetted against the sky throwing a polystyrene rock is shown about 5 times.

Obviously worried that such realism may cause the audience to faint, or at least lose bladder control, we cut straight from that terrifying tale to Barney chasing a raccoon out his tent to some top quality 'womp womp' music.


Comedy gold I'm sure you'll agree.

I had noticed at this point tho' that Barney appeared to be making a fuck load of sandwiches for everyone, which begged the question where did he get the bread from?

I mean it's a 3/4 month mission and at no point have I seen anyone carrying a freezer or even a mini-bread maker.

Hmmm, I think this documentary may be fake.


"My throat's killing me I must be a little hoarse!"


Continuing into the wilderness at what can only be described as a very leisurely pace and stopping only to pad out the already threadbare plot with even more wildlife footage (this time featuring a couple of bears wrestling and a racoon drowning) the motley crew are soon (but not soon enough) on the shores of the dangerous Peckatoe River giving the static-wigged Terry a chance to ominously tell of the Native American legends that warn of passing across it.

Which is nice.

But pass they do but not without a causality.

Don't worry tho' as it's only man-child Barney's kiss me quick hat.

Phew.

As the group travel deeper and deeper into the forest the party  is beset by a series of mysterious rockfalls and are scared (OK kinda non-plused if I'm honest but I'm trying my best to jazz the film up a wee bit) to discover massive trees snapped in two.

Just as the Bigfoot is meant to do to mark it's territory.

Ulp.

With nerves frayed and a strange noise echoing from the trees the party press ever forward but just as it seems the tension is the air is fading Bob is attacked by a bear and it's only

Setting up camp for the eve it's now Terry's turn to spin a tale and this time it's the infamous story of Bauman and Jessup.

You know, the same story as featured in Teddy Roosevelt's The Wilderness Hunter** about the beaver hunters (snigger) who are sure that they're being hunted by a huge beast who walks like an man.



And who says this blog isn't educational?



Posh and Becks: Dogging for Beginners.


 As Terry recounts his tale a spooky 'something' watches from the woods.

The next day the group enter a large valley called Yourmum, the final destination of the expedition and according to their research the best place to find a Bigfoot.

Apart from at the end of a big leg obviously.

To make sure they don't miss a thing the group gets to work setting up a complicated array of high tech alarm systems around the camp - electriconic alarms, tin cans on string, the works in the hopes of at least catching a glimpse of the elusive creature.

To be honest after sitting thru the last 70 odd minutes of tree-based tedium I hoping for a wee bit more than a glimpse.



"And this is where I shagged your mum."



 As everyone sleeps the beast makes it's appearance, kicking over lamps and pissing on the tents as the horses go wild and the cast valiantly wave around a collection of kids BB guns.

Suddenly rocks begin to rain down on the men and Markham is injured, he can only sit and watch as a Bigfoot enters the camp and smashes his equipment.

Luckily the mix of gunfire and shouting - coupled with the stench of shite - scares the strange attackers away leaving the party to assess the damage before packing up and heading home.

No, really....that's your lot.

Tho' as a treat we do get a replay of the spooky reflection from the start.

They must have really liked that bit.




Inspired in part by the 1972 cult classic The Legend of Boggy Creek as well as the 1976 Harry Winer docudrama The Legend of Bigfoot, the film which gave Sasquatch nut and sometime con-man Ivan Marx a platform to spout his frankly terrifying Bigfoot conspiracies, alongside those Wonderful World of Disney style nature documentaries so loved in the 60s and early 70s - Sasquatch Legend of The Bigfoot casts lone actor George Lauris (who also wrote the script) in the Marx role and populating the rest of the movie with every cliche in the cinematic book with it's mix of science, skeptics and Native American mysticism, everything about the film from it's cheesy listening MOR folk score to its aforementioned - how can I put it - leisurely pace screams no-talent cheapie but what is essentially a long, meandering, badly filmed mess of a movie somehow ends up hypnotically enjoyable and strangely entertaining.

Well it's either that or I really need to get out more.

"You ain't seen me....right?"




Maybe I'm getting old or maybe, just maybe the fact that the cast seem to be if not enjoying themselves then kinda believing in what they're doing actually comes across on screen works in the films favour, making a change from the usual 'make a horror movie for a quick buck' mentality that you find around the edges of low budget cinema.


Either way whilst Sasquatch: The Legend of Bigfoot is in no way the best Bigfoot blockbuster ever made it's far from the worst.

Just not that far.

Recommended for insomniacs and anyone who likes horses.























































*OK it's not actually a documentary and they're all really actors - Chuck Evans (George Lauris). Dr. Paul Markham (William Emmons), Terry Blackhawk (Joel Morello), Josh "Aloysius" (Ken Kenzie), Hank Parshall (Steve Boergadine), Barney Snipe (Jim Bradford) and Bob Vernon (Lou Salerni).

And one of them actually went on to have a career.










**Written in 1890, Theodore Roosevelt's book The Wilderness Hunter: an account of the big game of the United States and its chase with horse, hound, and rifle is a go to guide for anyone wanting to learn about the American frontier in the 19th century, tho' we're only here for the Bigfoot stuff so here's an extract: 



"Frontiersmen are not, as a rule, apt to be very superstitious. They lead lives too hard and practical, and have too little imagination in things spiritual and supernatural. I have heard but few ghost stories while living on the frontier, and those few were of a perfectly commonplace and conventional type. But I once listened to a goblin-story, which rather impressed me.

A grizzled, weather beaten old mountain hunter, named Bauman who, born and had passed all of his life on the Frontier, told it the story to me. He must have believed what he said, for he could hardly repress a shudder at certain points of the tale; but he was of German ancestry, and in childhood had doubtless been saturated with all kinds of ghost and goblin lore. So that many fearsome superstitions were latent in his mind; besides, he knew well the stories told by the Indian medicine men in their winter camps, of the snow-walkers, and the specters, [spirits, ghosts & apparitions] the formless evil beings that haunt the forest depths, and dog and waylay the lonely wanderer who after nightfall passes through the regions where they lurk. It may be that when overcome by the horror of the fate that befell his friend, and when oppressed by the awful dread of the unknown, he grew to attribute, both at the time and still more in remembrance, weird and elfin traits to what was merely some abnormally wicked and cunning wild beast; but whether this was so or not, no man can say.

When the event occurred, Bauman was still a young man, and was trapping with a partner among the mountains dividing the forks of the Salmon from the head of Wisdom River. Not having had much luck, he and his partner determined to go up into a particularly wild and lonely pass through which ran a small stream said to contain many beavers. The pass had an evil reputation because the year before a solitary hunter who had wandered into it was slain, seemingly by a wild beast, the half eaten remains being afterwards found by some mining prospectors who had passed his camp only the night before.

The memory of this event, however, weighted very lightly with the two trappers, who were as adventurous and hardy as others of their kind. They took their two lean mountain ponies to the foot of the pass where they left them in an open beaver meadow, the rocky timber-clad ground being from there onward impracticable for horses. They then struck out on foot through the vast, gloomy forest, and in about four hours reached a little open glade where they concluded to camp, as signs of game were plenty.

There was still an hour or two of daylight left, and after building a brush lean-to and throwing down and opening their packs, they started upstream. The country was very dense and hard to travel through, as there was much down timber, although here and there the somber woodland was broken by small glades of mountain grass. At dusk they again reached camp. The glade in which it was pitched was not many yards wide, the tall, close-set pines and firs rising round it like a wall. On one side was a little stream, beyond which rose the steep mountains slope, covered with the unbroken growth of evergreen forest.

They were surprised to find that during their absence something, apparently a bear, had visited camp, and had rummaged about among their things, scattering the contents of their packs, and in sheer wantonness destroying their lean-to. The footprints of the beast were quite plain, but at first they paid no particular heed to them, busying themselves with rebuilding the lean-to, laying out their beds and stores and lighting the fire.

While Bauman was making ready supper, it being already dark, his companion began to examine the tracks more closely, and soon took a brand from the fire to follow them up, where the intruder had walked along a game trail after leaving the camp. When the brand flickered out, he returned and took another, repeating his inspection of the footprints very closely. Coming back to the fire, he stood by it a minute or two, peering out into the darkness, and suddenly remarked, "Bauman, that bear has been walking on two legs."

Bauman laughed at this, but his partner insisted that he was right, and upon again examining the tracks with a torch, they certainly did seem to be made by but two paws or feet. However, it was too dark to make sure. After discussing whether the footprints could possibly be those of a human being, and coming to the conclusion that they could not be, the two men rolled up in their blankets, and went to sleep under the lean-to. At midnight Bauman was awakened by some noise, and sat up in his blankets. As he did so his nostrils were struck by a strong, wild-beast odor, and he caught the loom of a great body in the darkness at the mouth of the lean-to. Grasping his rifle, he fired at the vague, threatening shadow, but must have missed, for immediately afterwards he heard the smashing of the under wood as the thing, whatever it was, rushed off into the impenetrable blackness of the forest and the night.

After this the two men slept but little, sitting up by the rekindled fire, but they heard nothing more. In the morning they started out to look at the few traps they had set the previous evening and put out new ones. By an unspoken agreement they kept together all day, and returned to camp towards evening. On nearing it they saw, hardly to their astonishment that the lean-to had again been torn down. The visitor of the preceding day had returned, and in wanton malice had tossed about their camp kit and bedding, and destroyed the shanty. The ground was marked up by its tracks, and on leaving the camp it had gone along the soft earth by the brook. The footprints were as plain as if on snow, and, after a careful scrutiny of the trail, it certainly did seem as if, whatever the thing was, it had walked off on but two legs.

The men, thoroughly uneasy, gathered a great heap of dead logs and kept up a roaring fire throughout the night, one or the other sitting on guard most of the time. About midnight the thing came down through the forest opposite, across the brook, and stayed there on the hillside for nearly an hour. They could hear the branches crackle as it moved about, and several times it uttered a harsh, grating, long-drawn moan, a peculiarly sinister sound. Yet it did not venture near the fire. In the morning the two trappers, after discussing the strange events of the last 36 hours, decided that they would shoulder their packs and leave the valley that afternoon. They were the more ready to do this because in spite of seeing a good deal of game sign they had caught very little fur. However it was necessary first to go along the line of their traps and gather them, and this they started out to do. All the morning they kept together, picking up trap after trap, each one empty. On first leaving camp they had the disagreeable sensation of being followed. In the dense spruce thickets they occasionally heard a branch snap after they had passed; and now and then there were slight rustling noises among the small pines to one side of them.

At noon they were back within a couple of miles of camp. In the high, bright sunlight their fears seemed absurd to the two armed men, accustomed as they were, through long years of lonely wandering in the wilderness, to face every kind of danger from man, brute or element. There were still three beaver traps to collect from a little pond in a wide ravine near by. Bauman volunteered to gather these and bring them in, while his companion went ahead to camp and made ready the packs.

On reaching the pond Bauman found three beavers in the traps, one of which had been pulled loose and carried into a beaver house. He took several hours in securing and preparing the beaver, and when he started homewards he marked, with some uneasiness, how low the sun was getting. As he hurried toward camp, under the tall trees, the silence and desolation of the forest weighted on him. His feet made no sound on the pine needles and the slanting sunrays, striking through among the straight trunks, made a gray twilight in which objects at a distance glimmered indistinctly. There was nothing to break the gloomy stillness which, when there is no breeze, always broods over these somber primeval forests. At last he came to the edge of the little glade where the camp lay and shouted as he approached it, but got no answer. The campfire had gone out, though the thin blue smoke was still curling upwards.

Near it lay the packs wrapped and arranged. At first Bauman could see nobody; nor did he receive an answer to his call. Stepping forward he again shouted, and as he did so his eye fell on the body of his friend, stretched beside the trunk of a great fallen spruce. Rushing towards it the horrified trapper found that the body was still warm, but that the neck was broken, while there were four great fang marks in the throat. The footprints of the unknown beast-creature, printed deep in the soft soil, told the whole story. The unfortunate man, having finished his packing, had sat down on the spruce log with his face to the fire, and his back to the dense woods, to wait for his companion. While thus waiting, his monstrous assailant, which must have been lurking in the woods, waiting for a chance to catch one of the adventurers unprepared, came silently up from behind, walking with long noiseless steps and seemingly still on two legs. Evidently unheard, it reached the man, and broke his neck by wrenching his head back with its fore paws, while it buried its teeth in his throat. It had not eaten the body, but apparently had romped and gamboled around it in uncouth, ferocious glee, occasionally rolling over and over it; and had then fled back into the soundless depths of the woods.

Spooky eh?