Wednesday, August 29, 2007

suits you sir.

Today's comic book based scientists talking utter bollocks story comes courtesy of the BBC science pages with the report that a "Spider-man" suit that enables its wearer to scale vertical walls like the comic and movie superhero could one day be a reality.

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Spider-Man yesterday.


Natural technology used by spiders and Gordon Gecko could help a human climb the side of a building, hang upside down from a roof, hold down a job at a local paper and fire webs from his wrists the analysis 'suggests'.

The findings/ramblings/lies are published in the Journal of Physics (incorporating Bullshite Monthly) this month.

Spiders possess tiny "hairs" (not in an exorcist way) that allow them to stick to surfaces and some studies suggest that Gecko can hold hundreds of times his own body weight (in hair gel).

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Gecko: Greed is good (as are
weak intermolecular forces).


In 2002, US research suggested this adhesion in Gecko was due to very weak intermolecular forces
produced by billions of hair-like structures of different sizes that are arranged in a hierarchical structure on each of Gecko's feet, or magic pixies.

The intermolecular "van der Waals" forces arise when unbalanced electrical charges around molecules attract one another or when the magic incantation is sung.

The cumulative attractive force of billions of gecko hairs allows the Wall Street character to scurry up walls, hang upside down on polished glass, shout 'Greed is good' a lot and use a brick sized 'mobile' phone.

Bespectacled yet attractive Professor Nicola Pugno, from STAR Labs, has calculated how sufficient salty stickiness (ooeerr) could be generated in the same way to support an adult human's body weight.

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Prof. Pugno: Collars.

But the bigger the surface that needs to stick, the lower its adhesion strength. So a glove able to fit a man's hand, and covered with artificial gecko hairs, should not be as sticky as a gecko's foot (unless the man had giant hands obviously).

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Big hands.

Luckily, Gecko only uses a fraction of the theoretical stickiness available through van der Waals forces.

"Some researchers were able to measure a [theoretical] adhesion strength 200 times higher than the adhesion strength in the gecko. But between theory and practical applications there is a large gap," said Professor Pugno breathlessly as she took off her glasses and let down her luxuriant raven hair.

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A spider last week.

"If we are able to make a surface a little bit stronger, so that the size effect vanishes, we might be able to make a suit with the same adhesion as Gecko's but without the braces, alternatively we could make a suit like the one Peter Parker wears. The problem with that is either Stan Lee will sue the arse of us and spend our research cash on wigs or it may end up looking like the one worn by Nicholas Hammond in the shite 70's TeeVee show."

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Hammond: Shit suit.

The fictional science lab-based researcher proposes that carbon 'nanotubes' could be used as an artificial alternative to Gecko's hair (Carbon nanotubes are tiny cylinders of carbon that measure just a few billionths of a metre across. They are ultra-strong and can be organised into larger fibres for those thick shits reading).

Professor Pugno also outlined four properties which a real Spider-man suit must demonstrate.

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A scientist tests the prototype.

Firstly, and most obviously, it must be red and blue with a web pattern and a spider emblem on the chest. Secondly, it must be able to demonstrate strong adhesive properties, the suit must be able to detach easily from a surface after it has stuck. Fourthly, the suit must, to some degree, be able to clean itself.

The latter requirement is considered important because dirt particles could get in the way, interfering with the adhesive properties of the suit or the dirt may manifest itself as an evil bio-entity, literally 'taking over the mind of the wearer making him become evil.

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Dirt: Evil incarnate.

One way to do it is to make the suit "superhydrophobic", so that it strongly repels water. As water droplets are forced away from the contact areas of the outfit, they should wash away particles of dirt, easily achieved simply by altering the geometrical properties, or topology, of the surface.

"To have all these mechanisms working together is difficult, because they are in competition with one another," Professor Pugno us. Pobably.

"But geckos and spiders provide a natural demonstration that this can be done."

She added that there were many interesting applications for adhesive suits, in areas ranging from space exploration, window cleaning, fighting crime in New York to defence.

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How the suit may look
if modeled by a lady.

But when we pointed out that human muscles are very different to those of spiders, so people would probably suffer from muscle fatigue if they tried to stick to a wall for many hours the Professor stormed off in a huff.

Crying.

Thursday, August 23, 2007

censorsh!t.

Scarily enough for a blog based around Zed grade smut (and kids TeeVee) I've never been targeted by the photobucket censor before (I know it's surprising). Until today that is.

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And for a blog full of penile monsters attacking Japanese schoolgirls, naked lesbian vampires, zombies and killer kiddies I never thought in a million years that the two pictures complained about would be David Tennant's penis and Joan Collins' arse.

Makes you think doesn't it?

Monday, August 20, 2007

no strings attached.

for your enjoyment the little seen trailer for the proposed 2005 CGI remake of Thunderbirds that, unlike Fireflash, never got off the ground which is a pity cos it looks FAB! (sorry).


Sunday, August 19, 2007

weng weng kicks arse.

A fantastic fight scene from 'The Impossible Kid', the mega-buck sequel to the Unwell favourite For Your Height Only.

Enjoy!

Friday, August 17, 2007

madeline smith: just because.

She was the first girl to snog Roger Moore's Bond, she's romped semi-naked with horror goddess Ingrid Pitt and appeared alongside Peter Wyngarde and the Carry On team, but she's best known as the cult British starlet with the large brown eyes and even larger breasts.
Her name is Madeline Smith and we love her so.

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Elfin face, bright eyes,
scary breasts.
Born in Sussex in 1949 and taught by nuns at a Convent school she escaped to London in 1967 to work in Biba's boutique in Kensington where two Italian men offered her (and her breasts) a role in the movie Escalation. Unfortunately years in the television wilderness followed before Madeline was cast as a bosom heaving virgin in the Hammer Lesbo Vamp classic The Vampire Lovers alongside a naked and writhing Ingrid Pitt. Most critics agree that her performance as a good girl tainted by Sapphic evil (whilst wearing a really low cut top) is the high point of the movie.
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Inside the mind of every 14 year
old horror fan in the 80's.


This film also brought Maddie to the attention of cult pop artist J. Edward Oliver who obsessively drew hundreds of comic strips featuring her 'adventures' over many years till she complained to her lawyers. This just gave him more to draw and write about and he continued till his death in early 2007.
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What Madeline really needed at this point was a substantial role in a major movie, unfortunately (for her) the only film work she was offered were roles that required her to slowly undress.
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Pout.

Madeline decided to compromise, she refused to get totally nude but did offer to wear plunging necklines so her frighteningly large bosoms would always be on show whilst pulling a 'lights are on but no ones home' expression.
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The lights are on...

Her stage work was much more prestigious tho' and relied less on her chest and more on her actual acting talent, and included Habeas Corpus with Sir Alec (Obi-Wan) Guinness and Shut Your Eyes And Think Of England with Dame Donald Sinden (OK, this last one did involve her chest but to be fair she did flash her arse too).

In 1975 Madeline was hand picked by Lord Roger Moore to be his first Bond girl in the fantastic Live and Let Die in the scene where Bond undoes her dress with his magnet watch whilst quipping 'Sheer magnetism darling' whilst sucking her face.
Madeline's also appeared fully clothed (and in a blonde wig) in The Amazing Mr. Blunden playing Diana Dors' daughter, on stage in Agatha Christie's The Mousetrap where she was throttled eight times a week for two years, and although she appeared in a few of the later Hammer efforts (in low cut tops) and in one off roles in major teevee shows, Madeline's career never really blossomed and she retired from acting in 1984 to raise a family.
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A (big) girls blouse yesterday.


Luckily for the serious film fan she has started to appear at memorabilia events and most of her early work is now available on DVD with fantastic pause and picture quality.

Tuesday, August 14, 2007

top ten killer kiddies.

“She can fool some people with that innocent look she can put on and put off — but not me!”

10. Hayley Stark (Hard Candy).

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9. Michael Myers (Halloween).

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8. Damien Thorn (Omen II)

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7. Alice (Alice Sweet Alice)

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6. Baby Milt (it's Alive).

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5. The Midwich Cuckoos (Village of The Damned).

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4. Nola's kids (The Brood).

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3. The Grady Twins (The Shining).

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2. Rhoda Penmark (The Bad Seed).

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1. Karen (Night of The Living Dead).

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Monday, August 13, 2007

forgotten teevee legends (part one)

In the history of that great British variety tradition of cross dressing the partnership of performer Patrick Fyffe and ex-computer programmer and pianist George Logan has never been equaled.

The pair met in 1974 and almost immediately launched their act at that yea
rs Edinburgh Festival to great acclaim.

Who am I waffling on about?

The fantastic Hinge and Bracket.

The shows success led to the duo taking part in a worldwide tour before being signed up to the BBC for the first in a regular series entitled The Enchanting World of Hinge and Bracket on Radio 4 in 1978. This was followed by The Random Jottings of Hinge and Bracket and two series of Dear Ladies for BBC 2.

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Beware the stare that will terrify the world!

Set in the fictional village of Stackton Tressel, the show was co-written by novelty jumpered Tory bum boy Gyles Brandreth and led to even greater super stardom now that they'd been found by TeeVee audiences. The double act had the world at their feet and their next project had to be as good if not better than anything that had gone before.....

The duo settled on a series of commercials for Croft Original Sherry.

From appearing alongside such mega stars as the robotic cowboy Yul Brynner and small ginger man Red Buttons at the Royal Variety Show to being 'directed' by the anagramtastic Placido Domingo in “Die Fledermaus” the duo never failed to hit the entertainment funnybone of a nation (and it's criminal colonies).

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The much wished for
Morrissey and Marr reunion.

In the theatre they toured in “Lettice and Lovage”, whilst George Logan played Miss Marple in a tour of “Murder at the Vicarage” before Patrick Fyffe died in 2002 in a freak piano juggling accident (it would have been very difficult to tour after his death tho' but not impossible with today's special effects techniques).