Friday, October 11, 2019

underground pervy.

The Cine-Excess Festival are showing this next month in honour of one of their guests, the frankly fantastic Norman J Warren add to that I've been working on some illo's for the programme which means I've recently re-watched it.

And drawn it obviously.

Tho' not at the same time, I mean I'm not that good.

So ladies and gents I give you - in quite a short form....

'Inseminoid' (aka Horror Planet. 1981)

Dir: Norman J. Warren.
Cast: Judy Geeson, Jennifer Ashley, Stephanie Beacham, Dominic Jephcott, Steven Grives, Victoria (sister of David) Tennant, Heather Wright, Rosalind Lloyd, Robert Pugh and Kevin O'Shea.

Inseminoid's subtle poster campaign.

Somewhere in space (OK it's Chislehurst Caves in Chislehurst, Kent. Obviously Wookey Hole in Somerset was overrun with Cybermen at the time) a British led scientific/mining/archaeological mission is busy digging up rare alien artefacts and even rarer colourful rocks.

You can tell it's a British mission because whereas the Yanks have shiny rockets, jetpacks and lasers, this bunch here have buckets and spades, Kwik Fit overalls and a chainsaw amongst their equipment.

Oh, and big 80s hair.

Imagine Alien remade with the cast of Hi-De-Hi and you're halfway there.

Digging about in the tunnels one day the team come across a shiny plastic rock much like the type you get on fireplaces which immediately explodes directly in front of the blond beefcake of the group, Dean (Brit teevee stalwart Jephcott) Gaffney's face, causing some nasty chafing and more importantly a serious case of mascara based alien possession.

This possession manifests itself when Dean begins to run around the base in his pants and socks around trying to strangle his fellow team members before escaping into the tunnels.

But not until he's pushed payload specialist Gayle Tuesday (Lloyd who was once in Doctor Who) over so violently that she gets her foot stuck in a hole.


"Laugh now!"

If that wasn't enough to ruin her day her life support system heater has run out and she hasn't got any spare coins for the meter.

Obviously worried by this turn of events she breathlessly radio's the base for help.

Pity the groups resident sponge-bob, Gary is on communications duty that day.

Rather than waste valuable preening time going out and rescuing her, Gary suggests that she pulls the air pipe off her spacesuit, stick it in her tiny, bird like mouth and suck on it whilst hacking at her ankle with a blunt nail-file.

The following scene is no mooth shite-in but it does come close.

As did I.

"Pipe in mah mooth!"

It comes as no surprise to the viewer that the poor cow dies from a mix of blood loss and septicemia due to putting a dirty hoover attachment into her gob.

But this is only the beginning of the horror that is Inseminoid.

You see whilst all this limb lopping and pipe moothin' is going on sexy button nosed biologist Sandy (English Rose Judy - I have never done a nude scene honest - Geeson) has been busy scraping algae off some rocks with her equally bookish pal Roy (Pugh possibly, it's dark and he's wearing a goldfish bowl on his head).

After passing some particularly eggy gas in her suit Sandy passes out and just as Roy scrambles to help her he's violently decapitated (but is there any other kind of decapitation?) by an unseen alien menace.

Could the day get any worse?


Well Sandy awakes to find herself stark bollock naked and spread-eagled on a pool table as a moon headed alien attempts to impregnated her using a length of hosepipe, 4 litres of Fairy washing up liquid and a carton of green painted free range eggs, so the answer is probably yes.

Beware the binmen!

After what seems like an eternity (well, just long enough to have a fag and make a cuppa) the surviving team members find the poor woman fully clothed (yet strangely fresh smelling) and resting against the slain body of Roy so decide to take her back to the base for a hot chocolate and a Rich Tea biscuit.

It's not long tho' before Sandy is experiencing sticky egg based nightmares, reliving (in glorious, sweaty close-up) every detail of her Venusian vaginal violation (as in the creature was from Venus, not that she has a bizarre, Giger-esque fanny tho' never having seen it she might. Judy?) which culminates in the cold blooded murder and cock eating of one of her hapless buddies.

Walking into the bathroom for a quick pee, the mumsy Barbra (Tennant) is taken aback to see Sandy, giggling away to herself as she sits astride a corpse, covered in blood and with a testicle hanging from her lips before uttering the immortal line: "Sandy! what's wrong?"

Well, that's the understated British for you.

Jumping to her feet and snarling like fairly vicious tabby, Sandy chases after Babs (in that faintly embarrassing way that girls run) who locks herself in the teevee room before pressing a load of buttons and declaring a state of emergency.

The rest of the crew, being hardened space veterans all shite themselves simultaneously.

"I'm sorry, I have a woman's period!"

Imbued with supernatural strength, a mad glint in her (boss) eyes and a frightening ability to wave her arms around like deadly windmills, Sandy will stop at nothing to protect her unborn babies which means sixty minutes of her stomping around a collection of spacey Portacabins killing everyone she meets using a collection of items you'd be surprised to find on a high-tech space mission including a nail gun, a rusty shovel and one of those long lighter things you use to start a barbecue.

Will the surviving crew find a way to defeat this mentalist mum to be or will they all die leaving the alien offspring to sneak aboard a passing rescue ship heading for Earth?

Go on, guess.

More or less tasteful?

From the unsung hero of British horror cinema, the frankly fantastic Norman J. Warren - he who gave us such classics as the dog nosed predator potboiler Prey, the slightly saucy Satan's Slave and the spooky Terror comes a bloodier, bad taste British version of Alien, filmed on a budget of £12.50 and using props and sets stolen from the Blake's Seven production office, Inseminoid is the epitome of true Brit, lo-fi sci-fi at its  most entertaining.

Plus any film that gets banned in Iceland must be worth at least a few minutes of your time.

It may be rougher than your mum but what it lacks in polish it more than makes up for with bloody violence,typically British nihilism and a fantastic cast that includes such luminaries as the mega-MiLF Victoria Tennant and the yummy Judy Geeson who manages the magic monster movie trick of morphing from frumpy mum to schizo-sex-kitten the more shot to fuck her character gets.

Remember I first saw this film as an impressionable 11 year old so it kinda explains my taste in girls.

Damn you Warren.

"Put it in me!"

Even the minimalist electronic score by jazz guru John Scott, commissioned when Warren discovered that he couldn't afford a full orchestra is an asset rather than a hindrance, the retro-Radiophonic workshop style sonics gently adding a final freaky feel to the lo-fi ambience permeating the rest of the film.


Sexy Sci-Fi: British style!

From skimpy pants to dodgy model work via paper mache space sexbeasts, Inseminoid trulyhas something to offend everyone....and if that hasn't convinced you, then try to think how many other films allow you the pleasure of seeing an ex Carry On girl strapped naked to a table with a hosepipe stuck up her fanny in a vain attempt to suggest extra-terrestrial rape.

That'll be none then.

Luckily it's recently been re-released as part of a shiny new Blu-Ray boxset so you can buy it now and thank me later.

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