spak to the future.
Went to see Star Trek The Motion Picture on the big screen yesterday so in a way of celebration I watched this beforehand to get me in the mood.
You're welcome.
Turist Ömer Uzay Yokunda (AKA Ömer the Tourist in Star Trek 1973)
Dir: Hulki Saner.
Cast: Sadri Alisik, Erol Amac, Cemil Sahbaz, Ferdi Merter, Fusun Olgac and Yilmaz Sahin.....yes THAT Yilmaz Sahin.
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| "Kompiter cevap verin. Zzt ne demek?" |
The place: space, somewhere near the final frontier, the time: round about teatime, the USS Enterprise (recently refitted using MDF and cardboard by the look of things) is on a routine mission to deliver supplies to the eccentrically bearded Professor Minty and his homely (re: plain), bog eyed assistant, the short skirted, ample thighed Nancy.
Mincing quite alarmingly onto the bridge is the mulleted master of man-dom himself, Kaptan Kirk (Turkish action superstar Sahbaz), effeminately lisping orders to all and sundry as he rubs his thighs in a vaguely homo-erotic - and strangely enough incredibly hypnotic - manner.
Uhura (or to be more precise a Turkish council estate equivalent) just nods with a look of concern usually seen on the faces of mothers with particularly naughty children at everything he says.
Or maybe she just doesn't speak Turkish, who knows?
Or cares.
So far so standard Star Trek.
If it were shot thru' a spunk filled sock obviously.
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| The Pet Shop Boys have let themselves go. |
Beaming down to the planet's surface in a fantastic mix of film scratches and camera pauses accompanied by the sounds of an old man whistling our heroes find that Minty is none too happy about having visitors.
"Leave the supplies an go!" he screams.
In Turkish obviously.
At this point the casual viewer may be wondering why the actress playing Nancy keeps changing between scenes.
And - if they're really mean and quite sexist - why none of the are even vaguely attractive.
Fear not dear viewer it's not bad continuity - tho' there's a lot of it about - but because she is in reality a shape changing 'salt vampire'.
Hmmmm, this plot is very familiar.
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| Effects. |
And what has he been spending his time (and Starfleet funds) working on all this time?
Believe it or not our scientist chum announces that he's built the perfect android.
Tho' you wouldn't think it to look at it seeing as what he presents us with is a fake tanned, greasy haired pikey of the kind you see operating the waltzers at the fairground in a loincloth accompanied by a couple of harsh faced gypsy girls painted gold.
Maybe they're in disguise?
There's no time for such trivialities tho' as no sooner have the ravishing she-bots started fawning over our hunky captain that a blood curdling (well cock bothering) scream is heard from behind a nearby rock.
Racing as quick as his chubby legs will carry him (which isn't very) Kirk is shocked (well I assume it's shock it could well be constipation) to discover the prone form of Ensign Ricky, killed by Nancy who has now reverted to her true terrifying form.
Which to all intents and purposes appears to be that of a fake fur covered giant spotty space otter.
As Kirk and co. examine the body Nancy sneaks back home before getting to work sticky-taping what looks like a Kinder Egg to the hunky roboman chest.
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| I felt that a pic was needed here to break up the massive amount of text and this was all I had to hand....sorry. |
It's at this point that things get really weird as in a scene that would make David Lynch scratch his head in confusion the movie suddenly (and very jerkily) cuts to a wedding party where a greasy, mustached fat man in a shit hat, Omer (comedy god Sadri Alisik and the reason we're here) is being forced to marry a toothless old lady by a bunch of goons in ill fitting suits that they've obviously stolen from a morgue.
Omer gurns and grimaces like a man possessed (or at the very least indulging in a guilty, Pot Noodle fueled wank outside the local school - we've all been there) whilst the old woman nonchalantly looks on, sexily sucking on her gums.
But just as the wedding ceremony is about to begin Omar mysteriously vanishes in a puff of orange smoke, rematerialising on the alien planet.
It's right about now that the film takes an even more disturbing turn and in a scene that even Lars von Trier would think twice about subjecting his audience to Omer is forcibly held down as the evil alien Nancy proceeds to lick his grubby hand.
In glorious close-up.
For what seems like hours.
Ranting at her in Turkish, Omer takes his (non licked hand) and makes a grab for the Kinder egg taped to the robots back, finally managing to get hold of it and giving it a good squeeze causing the hunky roboman to start violently thrusting his hips whilst making strange animal sex noises.
This amuses Omer no end as he start laughing and grunting like like a creepy beast as he squeezes and rubs the egg more and more, watching the robot air shag whilst Nancy continues to lick his fingers.
Say what you like but it's shit like this that gives Turist Ömer Uzay Yokunda the edge over Star Trek Discovery.
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| "Put it in me!" |
From this point in the fuzzy-cheeked foreign funnyman that is Omer takes centre stage (and centre seat) with his patented brand of unwashed and uncouth comedy gold, highlights of which include a scene where upon being taken prisoner by three mini-skirted and sexy booted women holding phasers, Omer reacts by stroking one of the women's thighs and pulling ever more unsettling faces whilst making pig noises.
If any movie will bring back memories of being bummed by your uncle Jim at Christmas it's this one.
Whether that's a good or bad thing is totally up to you.
I won't judge.
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| Uncle Jim and Auntie Pat - Bumming not shown. |
Anyway back to the plot where Nancy - obviously tired of the taste of tramp - is now busy licking the corpse of Ensign Ricky, seemingly left to rot by a heartless kirk before taking on his form and beaming aboard the Enterprise.
Her goal?
To slobber all over the crews hands and steal their salt.
Or something.
After endless scenes of Nancy changing shape and licking people, Kirk and Spak decide to return to the planet to get to the bottom of this saliva based mystery once and for all.
Exploring the local cave system the pair become separated and Kirk upon reaching the surface is confronted by the most terrifying creature ever committed to celluloid.
Yup, it's a radiation scarred Fimble with scary jazz hand action!.
Kirk, confused as to whether he should shoot or shag the beast, stands entranced as the creature performs a sexy dance routine before suddenly belching fire towards the captain who, in a fabulous act of heroism hides behind a rock till Spak turns up and shoots it in the face.
But where is Omer? I hear you cry.
Well it seems that he's back on the planet too.
Nancy bored with all those ships corridors has dragged him back to her love nest where upon taking on the form of a big hipped beehived bikini babe has decided that his sweat is sweetest and is currently attempting to lick him to death.
Omer, surprisingly for a man facing certain death, is energetically reciprocating whilst pulling what must be a Turkish bum cum face.
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| Republica: The Pontins years. |
Luckily (for us) this insane spit porn ends with the arrival of Mr Spak who upon seeing the horrors unfolding infront of him pulls out his shiny smooth weapon and threatens to unleash its milky white ray all over Nancy's face.
The vile vixen counters this by morphing into a Sexy Vulcan babe and with a flutter of her eyelashes and wiggle of her pointed ears persuades Spak to fight Kirk to the death.
What follows is the greatest display of slow fighting ever captured on celluloid as our heroes throw dummy punches, harsh looks and grunting noises at each other whilst Omer and Nancy look on.
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| "Spak - make porn come on my television." |
The whole debacle quickly comes to an end when Nancy - obviously overcome by boredom - just walks off, freeing Spak from her control.
Kirk avoids any uncomfortable feeling by totally ignoring the fight and heads off to find Nancy only to be attacked by around twenty leopard print thong wearing young boys.
Which is nice, if a little unexpected.
And very possibly illegal.
What now follows is around ten minutes of Kirk and Spak wrestling a group of sunburned oiled pre-teens whilst Omer pulls 'amusing' faces before running over to an upright cooker and fiddling with some knobs causing the boys to start kicking each other up the arse before collapsing.
It's like a virtual tour of Dave Lee Travis' mind.
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| Is it in yet? |
With the film races toward it's end and viewer tolerance quickly running out Kirk and Spak finally confront Nancy, deciding that it'd be best for everyone involved if they just shoot her.
Seeing it as a fair cop she decides to face death in her true 'space otter' form.
Come on the costume must have taken up at least a third of the films £27 budget so they need to get their moneys worth.
Choking back the tears (and their vomit) our intrepid duo take aim only to be stopped by Dr. Makkoy whom it is revealed is an old flame of Nancy's and still fancies a bit of action.
Plus he has a thing for girls with hairy backs and arses.
But as we all know a leopard (or in this case an otter) can't change its spots and as Spak and Makkoy discuss the finer points of wiping out the last of a species Nancy sneaks away and begins to lick the captain.
To death.
Luckily for him tho' his screams get so loud that they can't hear each other speak so Spak has no choice but to start slapping Nancy around the head whilst widly staring towards the camera.
Nancy bitch slaps the Vulcan and continues to lick and slobber over Kirk whilst Makkoy looks on helplessly.
Will the captain survive?
Will Omer re-appear and save the day in a golden shower of comedy goodness?
Will he return to Earth with Vulcan ears and mastery of the nerve pinch giving him a way of escaping the wedding?
It's a yes to this one by the way.
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| Insert amusing caption here. |
Regular readers of this blog will already be aware of the Turkish film industries proud heritage of stealing from American blockbusters and 're-imagining' them on a budget of around twelve quid with thrift shop special effects and somebodies uncle in the lead.
Who can forget the Turkish Superman with it's shots of a Mego 8" action figure dangling precariously from a thread in front of a black and white teevee to simulate the flying scenes or the unforgettable Dunyayi Kurtaran Adam (AKA Turkish Star Wars), where a portly middle aged Luke Skywalker battles an army of Chuckle Hounds on trampolines?
Not much is known about the making of this classic (well, there might be info out there, but I can't be arsed researching it) but director Hulki Saner also made the 1974 hit Seytan (AKA Turkish Exorcist) and that the movies star, the late great Sadri Alisik was the Turkish equivalent of Stan Boardman, Johnny Vegas and a sweaty pervert rolled into one be-hatted piss stain package.
With seven popular movies behind him, taking in comedy adventures in locations as varied as the Middle East, Germany, Africa and The Killing Fields of Cambodia Turist Ömer Uzay Yokunda was his last appearance on the big screen with Alisik going into semi-retirement and becoming a poet, his book "Bir Ömürlük İstanbul" beame an instant best seller and is universally acknowledge as being the main inspiration for the fall of the Berlin Wall, Live Aid and series 24 of Doctor Who.
So popular was he that after his death the Turkish government alongside his wife Çolpan İlhan (Turkey's answer to Joan Collins) opened a huge cultural centre in his name.
No idea if it was staffed by stinky tramps that attempted to molest female attendees in a variety of amusing ways tho.
Perhaps if any readers have been they could email and tell me.
The only other thing I could find out about him was that his brother-in-Law was the famous (well in Turkey) writer, Atilla Ýlhan.
Hmmm.....I better stop before this begins to sound like a real film blog.
Be seeing you.
* It's 'The Man Trap', the first episode ever aired on September 6, 1966 if you're wondering.
