Friday, April 12, 2024

venus in furs.

Finally got around to watching this t'other night after it sitting unloved in a cupboard for fuck knows how long but to be honest it was well worth the wait as it's a work of utter genius.

Or fevered madness.

You decide.

Apologies if the review/write up goes a wee bit mental but I've actually watched it twice now and still have no idea what the fuck was going on.


"I think only what I said. Nothing more".

 

Star Pilot (AKA 2+5: Missione Hydra - 1966)

Dir: Pietro Francisci.

Cast: Leonora Ruffo, Mario Novelli, Roland Lesaffre, Kirk Morris, Alfio Caltabiano, Leontine Snell, Nando Angelini, Giovanni De Angelis, Gianni Solaro, Antonio Ho, John Chen and Gordon Mitchell.

 



It's the long hot summer of 1966 where on the Mediterranean island of Sardinia a lone horse rider returning from the local tavern is surprised to see a strange alien spaceship (cunningly disguised as a Thermos flask) crash land in a nearby field before disappearing into a convenient hole and causing his horse to shit itself.

Oh and make a small garden wall fall over.

No budget spared here then.

Later that week in sunny and scenic Rome top talc-headed science bloke Professor Bob Solmi (French film legend Lesaffre), his bouncy-haired babe-tastic ADHD raddled daughter Luisa (Actor, choreographer and all round vision of Italian feminine perfection made flesh Snell) and his hunky, spunky lab technician Paolo Nutini (Warriors of The Year 2072 'star' and Matt Berry from Wish Novelli) - after a thrilling and fairly dangerous car ride around the city courtesy of Luisa's complete lack of concentration - have been ordered by the governments top science man to investigate the sudden increase in radiation levels on the island as well as a mysterious patch of dead grass on the school playing fields, much to Luisa's chagrin seeing as she was planning to audition for a dog food commercial that very afternoon.

It's like an X Files/Beechgrove Garden/Corrie crossover but with way tighter Capri pants.

 

"Whoaaa! Bodyform!"

Unbeknown to our heroes there's a sinister gang of Oriental (but definitely NOT Chinese as the keep on explaining to anyone who'll listen) spies are on their tail after mistaking the radiation/dead grass/horse scaring/wall breaking stuff on Sardinia as the proof needed that Professor Solmi is developing a super weapon.

Sounds legit.

After another thrilling car ride (with the Orientals causing as crash in order to sneak one of their agents into the Professors car in order to find out their plans whilst pretending to be asleep (no really) and a scenic helicopter ride over Rome our terrific trio arrive in Sardinia where they meet up with fellow scientists cum beige clad hunks for hire Morelli and Giulio (Latter day documentary maker and  educational TV programmer Angelini and Churchill's Leopards star De Angelis) who proceed to lay the table for dinner as Luisa dances around the kitchen whilst forcing her (albeit peachy) arse into the faces of anyone nearby.

The group retire to bed in advance of a heavy day of science the next morn but their slumber is rudely interrupted by and earthquake opening up a massive cavern behind a nearby rosebush.

And on that bombshell the group hastily get dressed and prepare to investigate.

But not before Luisa has come into the kitchen to proclaim she's only wearing her underwear before returning to her room and coming back fully clothed.

Which is nice.

And to be fair they are very pretty pants.

"Oh Vic I've fallen!"

 

Heading into the cavern the group soon come across the buried spaceship and after moving a large piece of polystyrene out of the way uncover the crafts entrance hatch before excitedly exploring inside.

Finding all this excitement way to tiring everyone heads back for lunch but the feast of cheese and crisp sandwiches and Vimto is rudely interrupted by the evil Oriental spies who were lying in wait in the (fairly roomy it has to be said) wooden shed the scientists call home in order to kill them.

Or steal their secrets.

Or tell them off.

I have no idea.

Anyway the Professor persuades the spies that they haven't got a secret weapon but do in fact have a large alien thermos buried out the back and invite them to see it.

"I shoot you now!"

 

 

But all this banging about earlier has woken the spaceships crew and as the earth folk approach they prepare to attack.

And they do this by sending three milky-thighed Telletubbies (sorry androids) into the cave to, um lie down or something.

Surprisingly this trick seems to work and whilst the scientists and spies are distracted by the telletubbies undulating bellies the aliens attack with deadly sparkler guns, killing two of the spies before subduing Solmi, Luisa, Paolo, Morelli, Giulio, the not at all Chinese Chang and his unnamed pal we'll just call Phil and then politely introducing themselves to their captives.

Enter (yes please) the slinkily seductive commander of the Hydranian forces - the red wigged, fishnet bodysuited Commander Kaela (played to seductive perfection by Ruffo - star of among other things Mario Bava's Hercules in the Haunted World (1961) and your granddads dreams) and her swimming cap sporting, muscle-man cohorts Artie (actor, screenwriter and film director Caltabiano) and Belsy (Morris AKA Adriano Bellini - Italian bodybuilder cum actor and winner of Mr.Italia Bodybuilding contest 1961).

 

Time for Tubbie bye-byes!


The aliens explain that they were investigating reports the humans were capable of creating a doomsday bomb when they accidentally crashed their ship and now need help to repair it in order to get home and politely ask the humans for help before strapping all seeing eyes to them (with handy built-in molecular disrupters in case they try to escape/use the toilet etc) and taking Luisa hostage.

Which is a good excuse for her to strip down to a sheer bodysuit covered in feathers and try to seduce Belsy with a saucy dance whilst he talks about eugenics and murdering genetically inferior folk on his home planet.

To be fair tho' as first dates go that's pretty much perfect.

 

Plucking gorgeous

 

The humans quickly repair the ship (to be fair it's a fairly short movie) but not before Morelli (or the other one) has managed to sneakily send a message to their boss Dr. Chang (latter day ice cream Solaro - AKA John Sun - who is also bizarrely not Chinese) resulting in Commander Kaela electrocuting him (to death) and the army being mobilized to fight the alien horde.

Saying that tho' can three people actually constitute a horde?

Answers on a postcard please.

Anyway as the mighty military forces (well 6 guys and a jeep) advance on the cavern Kaela decides to change the deal and take the humans with her to the planet Hydra, partly because she's fascinated by their unique 'genetic material' (which I assume is shorthand for Paolo's peach arse) but mainly for the fact that they need extra crew members seeing as the androids where all killed meaning they have no-one to clean the toilets.

And with that they blast off into space.

 

Next stop....Button Moon!

 Cue 30 (very) odd minutes of flirting, bouncy space walks and cool dancing - and more flirting - on an alien planet before being attacked by space monkeys and all while Professor Solmi waxes lyrical about Einstein's theory of relativity and how, because they've been traveling so fast that Earth’s past  is now their future.

Or something.

And just to prove this theory a Russian (or more likely Bulgarian) space capsule floats by giving Paolo and Kaela an opportunity to play on a kiddies trampoline whilst pretending to be in space whilst holding silver-sprayed 'space snorkels' in the (albeit very pretty) mouths as they head to investigate.

How I met your mother.

 

Climbing aboard the pair quickly come across (but not in that way) a pair of motorcycle helmeted skeletons clutching a copy of the 1978 Readers Wives calendar proving Solmi's (and Einstein's) theory correct.

But just in case the audience are particularly thick they access the ships computer just to explain the situation again.

This leaves Kaela and the crew with a serious dilemma.

Do they continue on to the planet Hydra in the hope that it's still there and not abandoned after some heavy rainfall or something or do they head back to Earth in the hope that it hasn't been destroyed in a nuclear war.

There's a clue in the trailer by the way.

 


 


From the visionary director (as in he had eyes) Pietro Francisci - the man behind Hercules, Samson and Ulysses, Hercules Unchained and Sinbad and the Caliph of Baghdad among other classics - comes one of the most slap-dash, threadbare, nonsensical yet most entertaining movies - named Star Pilot or even 2+5: Missione Hydra obviously - ever made.

Taking its cues from the likes of World Without End (1956), Devil Girl from Mars (1951) and The Day The Earth Stood Still (1951) by way of the best of pulp sci-fi (Perry Rhodan* I'm looking at you) and Buster Crabbe's Flash Gordon,  2+5: Missione Hydra has everything we love about 60s Italiana - a cast decked out in arse-hugging leather thongs over spandex leggings (for the men) and sheer body stockings, eye gouging pointy bras and feathers (for the laydees) via talcum powered grey wigs and big quiffs and all set to a way out futuristic, big(ish) band score from Nico Fidenco (AKA Italian pop god, soundtrack ace and frequent Joe D'Amato collaborator Domenico Colarossi, best known for being the first Italian singer to sell one million copies of a single, the hit ditty What a Sky from the film Silver Spoon Set) and all played out on sets constructed entirely from old television sets, tin foil and MDF board.

And that's not even mentioning the fact that at the halfway point a group of flea infested ape men turn up and start fighting everyone.

See Kubrick that's how you do apes.

I mean what's not to love?

And that's even before mentioning the sheer playful sexiness that oozes thru' the celluloid every time Leonora Ruffo and Leontine Snell (oh go on then and Kirk Morris, who owns probably THE tightest arse I have ever seen - seriously he could crack walnuts with one flex of his buttocks) appear on screen.


Pure interplanetary perfection.

 

Obviously upon completion the director knew he had a sci-fi classic that was ahead of its time on his hands which is probably why it was dubbed into English and re-released in 1977 to show that pesky newcomer George Lucas how science fiction should be done.

So there.

I mean without this movie we'd have never been blessed with such classics as Alfonso Brescia's masterpiece Battaglie Negli Spazi Stellari (or his The Beast in Space so you can't have everything) as well as those old favourites Starcrash and The Humanoid.

Pure cinematic sci-fi perfection.




*Who even got his own movie with the 1967 release of Mission Stardust (AKA …4 ..3 ..2 ..1 …Morte, Perry Rhodan – SOS aus dem Weltall).

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