Sunday, March 15, 2026

smiling at strangers/the american scream.


  Here for your listening pleasure is the frankly fantastic Blue Azure's rather marvelous monthly music show this time around featuring (around the halfway mark) the spiritual successor to Colour Me Giallo, my tuneful tribute to the cult sounds of American horror cinema soundtracks.  the cult sounds of American horror cinema soundtracks. 

Ladies and gentlemen I present...

 



 

And for anyone interested, here's the tracklist:

1. Goblin - L'Alba Dei Morti Viventi (alternate
take).


2. Jay Chattaway - Cry for Mother.


3. Fred Myrow – Phantasm (theme).


4. John Carpenter – The Fog (main theme).


5. Ennio Morricone - Regan's Theme/
Seduction and Magic.


6. Donovan – Season Of The Witch.


7. Rick Wakeman – The Burning (theme).


8. Electric Banana - Cause I'm A Man.


9. John Harrison – The Dead Walk.


10. Pino Donaggio – Telescope.


11. David Hess - Wait for the Rain.


12. Don Gere – Werewolves On Wheels
(theme).


13. Goblin - La Caccia.


14. Gus Russo – Basket Case (end theme).


15. John Harrison - The World Inside Your
Eyes.



 


Tuesday, March 10, 2026

the american scream.

 

Another blatant self publicity alert!

Just to let you know that I'll be re-teaming with Blue Azure on Totally Wired Radio this Saturday (14th March, 8pm till 10pm) where I'll be unveiling the spiritual successor to Colour Me Giallo, this time featuring the cult sounds of American horror cinema soundtracks. 

Ladies and gentlemen prepare for...


 



Tuesday, March 3, 2026

operazione paura - frightfest edition.



Traveling up to Glasgow for FrightFest over the next few days? 
 
Then enjoy this mix of deep red disco, sinister samples and bizarro beats to help your journey into darkness...
 

 

Tuesday, February 24, 2026

happy twin peaks day.

 


Saturday, February 14, 2026

loveless.

Happy Valentines Day everyone!

 "Chief, listen to me. You have to go to the mine! We were having a party and Harry Warden started killing everybody!"*




My Bloody Valentine (1981).
Dir: George Mihalka.
Cast: Paul Kelman, Lori Hallier, Neil Affleck, Keith Knight, Larry Reynolds, Patricia Hamilton, Alf Humphreys, Cynthia Dale, Helene Udy, Rob Stein, Tom Kovacs, Don Francks and Peter Cowper.

My Bloody Valentine - fucking awful Photoshop.







It's February the 14th, 1960 and the small mining town of Valentine Bluffs (twinned with the village of Spent fact fans)  is having its annual (obviously) Valentine's Day dance; a tradition that the townsfolk have followed for the past century.

Hopefully they wash their pants in between tho'.

But whilst the assorted townsfolk are happily frugging away to hit pop tunes and tanking the local home brew, five poor miners are stuck digging away at the coalface having drawn the short straw and being forced to miss the party.

Well those secret Lemonade mines aren't going to dig themselves.

Their shifty supervisors tho', feeling particularly frisky and feeling slightly foolish decked out in dinner jackets whilst in a coal mine, decide to sneak away to join the celebrations leaving their colleges underground.

I mean it's not like anything could go wrong is it?

Well, nothing except a huge explosion caused by a build up of methane gas - see? who says films aren't educational? - leaving the five miners buried alive.

And more importantly, late for their dates.

After hours of digging (thru' rock, not the 1960's fashions) the towns rescue workers finally reach the trapped men.

Unfortunately all except Harry Warden (the films stunt coordinator Cowper) are dead.

And poor old Harry has gone a wee bit mental because of the ordeal, so the local townsfolk cart him off to the Shady Nook rest home for a while.

You can see why tho', you really don't want some dirt covered, piss stained fella crying about his dead buddies when you're trying to get into the vicars daughters undies do you?


Up the casino. Yesch.


Anyway after spending a year sitting in a pair of toweling pajamas and staring into space whilst dribbling, Harry is deemed fit for release and is sent home on the eve of the accident that sent him mental in the first place.

Which is nice of the doctors to take this into consideration when thinking about discharging him.

It should come as no surprise then to find out that the first thing he does on arrival is butcher the two supervisors who left their post early to go dancing and leave a chilling warning for the townsfolk that if they even think about having another Valentine's Day dance, he'll return once again to take bloody revenge on the town.

Which is a little extreme don't you think?

Jump forward to 1980 and, whilst the mine is still the town's main place of employment, there hasn't been a single dance or party held in town since that terrible night in 1960.

Until now that is.

You see, lovely old lady Mabel Osborne (Hamilton, star of The Fenn Street Gang and Upstairs, Downstairs - no, really) has decided that the town needs something to look forward and to forget about the mine disaster and wacky Warden.

To this end she spends her every waking hour decorating the town with Valentine's Day decorations whilst the younger residents begin to get all excited at the prospect of a night of dancing, drinking and shagging in bushes.

Bless.

As Valentine's Day draws ever nearer the town's Mayor, Jeff Hanniger (Reynolds, better known as Judge Burton from the hit teevee show Street Legal) wakes to find a fresh human heart wrapped in a lovely Valentine's Day packaging has been popped thru' his letter box.

Which at least shows that the town has a damn good postal service, I mean I'm still waiting on a box of blank DVD's after three weeks.

Attached to the box is a warning to expect a few more killings if the town decides to go ahead and celebrate.


Heart in mah box!



If this wasn't enough of a warning the mysterious messenger has murdered poor Mabel as well, just to show he means business.

Hanniger calls off the dance, getting local police chief Jake Newby (Francks, the voice of Sabretooth in the X-Men vs. Street Fighter video game no less) to tell everyone that Mabel fell down the stairs and that it's being cancelled as a sign of respect.

But the hotheaded - yet deep and caring - miner (and son of the town's mayor) Jessie 'TJ' Hanniger (Ryan O'Neill alike, bollock squashing jeans wearing Kelman), who has recently returned home after failing to make it as an exotic dancer in the big city and is desperate for a drink as well as gagging for some of the sex with his ex-girlfriend Sarah (blond, sensible underwired bra wearing teevee stalwart Hallier) decides to throw his own special Valentine's party down in the mine itself.

You can tell that beneath his rough exterior that he's a nice guy tho' because along with Sarah and all the other hip young miners he's also invited Sarah's current beau, the uber-cool Axel (Affleck, better known these days as an animation timer on The Simpsons but not as Batman obviously).

Well, it's either that or he fancies a Sarah Spit roast.


All set for a wee bit o' mooth shite-in.




But can you guess who's already down the mine waiting for the young uns to turn up?

Yup it's horrid Harry Warden, all decked up in Kwik Fit garage overalls and a handy gas mask ready to slice n' dice his way thru' anyone who even remotely looks like they may start jiving or cutting a rug as the young folk say.

Unfortunately a couple of the miners and their girlfriends have decided to start the party early and head down into the mine for a little tour (and some kissing and stuff), giving Harry a head start to his killing spree and the chance to stick something unexpected into the ladies.

When Jessie and co. finally arrive to discover a pile of corpses they begin to realize that Warden is indeed back for vengeance.

Trapped in the mine with only a six pack of Bud and the homicidal Harry chasing them with a rusty pick axe, the remaining party goers must try and escape before they too end up having a very bloody Valentine....


"Are you my Mummy?"




George Mihalka's My Bloody Valentine is probably more famous for what it was missing rather than what appeared on screen, as nervous Paramount execs decided to gut the film of any and every gore scene before it's release way back in 1981.

They scarily left all the 70s style trousers in tho'.

Despite this the movie still stands up as a competent (if slightly pedestrian) little shocker with an interestingly dressed villain and slightly more rounded than usual characters, taking an essentially cheesy premise yet playing it totally straight.



Chin.




Luckily back in 2009 some smart Alec decided to remake My Bloody Valentine as a high concept 3-D shocker (the rights must have been cheap) so, suddenly all that missing footage turned up and was quickly re-instated allowing for the directors original vision to finally be seen as intended.

Or to make a few extra bob of those punters too young to remember the original.

Take your pick.

Either way it made one helluva difference to the film, adding an extra dimension to the manic miners reign of bloody terror, the scratchy footage (it's been stuck in the directors loft for 28 years so what do you expect?) gave a much missed air of evil nastiness to Wardens revenge, making you wonder why this gas masked gimp was never taken to the audiences hearts as so many other slasher stars of the era were.

He's got something to put in you.




Competently acted, nicely shot and directed with a steady, workman-like hand (obviously the rest of George's body was OK too), My Bloody Valentine deserved a wider appeal than it ever got on release.

Plus the band are no bad too.






























*Just in case you're wondering why the picture of Anne Hathaway is at the top of the review it's just because she once did a Valentine's style photoshoot for Harpers Bazaar in 2014 and I've never been able to think of a good enough reason to post it before.

Plus she's awfully pretty.






 See?

Thursday, February 12, 2026

french letter.

Rewatched this last night because it's quite probably the greatest balsa-wood based Concorde movie ever made.

By the director of Cannibal Holocaust that is.

And if nothing else it's most definitely the cheapest.

Enjoy.
 
Concorde Affaire '79 (AKA Affare Concorde, SOS Concorde. 1979).
Dir: 'Roger' Deodato.....Hmmmm could be a pseudonym.
Cast:  James Franciscus, Mimsy Farmer, Venantino Venantini, Fiamma Maglione,
Edmund Purdom, Mag Fleming, Joseph Cotten, Ottaviano Dell'Acqua, Robert Kerman, Renzo Marignano, Francisco Charles and Van 'Damage' Johnson.





Whilst on an exciting test flight over the director's swimming pool, Air France Concorde 820 (or a hastily constructed cardboard facsimile of it) is mysteriously sabotaged causing it to crash land in the ocean just off the coast of Martinique.

Which for anyone interested is an insular region of France located in the Lesser Antilles in the eastern Caribbean Sea.

And more importantly a really cheap place to shoot a movie.

Ask Joe D'Amato if you don't believe me.

Tho' if you do you'd need the help of a spiritualist seeing as he's been dead for 17 years.

Someone who's not dead tho' is bush haired air hostess Jean Beneyton (the frisky Farmer from such classics as Four Flies On Grey Velvet, The Perfume of the Lady in Black and Autopsy) who, as luck would have it was thrown clear of the plane as it crashed and has been surviving the cruel sea by holding onto a tinfoil covered French loaf.

Rescued by two fishermen (including Dakar from Zombie Flesh Eaters who must have come free with the boat hire) her situation manages to go from bad to worse when a sexy speedboat appears and kills the poor fishing folk before taking Jean hostage.

The swines.

Meanwhile in 'downtown' New York City (every 80's Italian movie has to have at least 20 minutes shot - usually without permits - in The 'Big' Apple in order to convince us all that we're watching a big budget blockbuster) mahogany skinned investigative reporter, Moses Brody (Franciscus from Cat O'Nine Tails, Beneath The Planet Of The Apes and the Betty Ford Clinic) has just received a worried phone call from his horse faced ex-wife Nicole (Maglione, best known as Mr. Desmond's Secretary in Nightmare City), kaftan sporting owner of Kidman's restaurant the best place to eat fresh lobster in the whole of Martinique.

This isn't that important to the plot but I enjoy painting a mental image for the audience.

Especially seeing as the director appears to have forgotten that it should be his job.

Anyway it seems that Nicole has a lead on an important story and needs Moses to fly out to Martinique as soon as.

With a window in his schedule and a whorish girlfriend hinting that she's pregnant (this plot point will never be returned to) Moses packs his patented Action Slacks alongside his favourite nipple revealing polyester shirt and heads off to Martinique.

"Hello French Polishers? You might just be able to save my career!"



Upon arrival tho' Brody is devastated to learn that Nicole has died suddenly from an apparent heart attack.

It says a lot for the local police force and their investigation techniques that Brody is literally taken from the restaurant to the morgue and just shown her dead body, no ID checks or anything like that - it's lucky that the body was his ex-wife I mean it could have been anyone.

Saying that tho' I'm not really that au fait on the customs of the Lesser Antilles (to be honest the only Antilles I care about is Wedge) so maybe it's a tradition that all newly arrived tourists are taken the local morgue to see a corpse.

Answers to the usual email address please.

Brody being, well a lush basically, decides to deal with her death by getting blind drunk.

He's blissfully unaware tho' that he's being followed by a grubby looking gang led by a tussle haired American in obscene sports shorts.

Wandering around the town centre in a daze Brody is suddenly attacked by the aforementioned gang of thugs (they're probably eager for some tight American manass) but is rescued from certain death - and a vicious buggering - by a porn 'tashed local fisherman named George (Super Witch of Love Island's Charles).

Waking up on Charles' trawler with his trousers on backwards Brody discovers that our droopy 'tashed tinker was a good friend of Nicole and that he reckons she was killed because she'd discovered that the missing Concorde had crash landed on a nearby reef.

The pair decide to investigate.

Meanwhile in a broom cupboard somewhere in an office block near the producers house, evil business bloke Raymond Milland (ex circus boss and Italian movie stalwart Cotten) and his business partner Jeff Danker (genre God Purdom) are rubbing their hands together with glee (or it may be the cold) at the thought of being the ones that downed the Concorde.

It appears that Milland runs a company that specializes in producing those little pillows you get on long haul flights but with Concorde being so fast the demand for them will drop bankrupting the company.

To this end the pair have employed the hairy armed Forysthe (Venantini from oh loads of stuff) alongside his previously mentioned tight-bunned assistant John (Dell'Acquam stuntman on everything from Zombi 3 to Quantum of Solace - no seriously) to cover up any evidence involved with the crash.

Even if it involves murder.

Which by this point it does.

Obviously.

Water in mah mooth!



Heading out to sea the next day Brody and George are surprised to see poor old  Jean launch herself off Forysthe's boat and attempt to swim towards them spluttering something about Concorde's and crashes before being dragged back onboard.

Any worries they have concerning her safety are quickly alleviated when one of  Forysthe's crew explains that she's a wee bit mental due to having her womans period.

With a noncommittal shrug our heroic duo continue out to sea.

Arriving at the - alleged -  crash site the pair don scuba gear and dive into the water where they almost instantly come across the downed Concorde (well a paper model of one filmed thru' a fishtank) resting on a coral reef.

Forcing his way into a broken door Brody goes inside the wreck only for the buckled metal opening to slam shut trapping George's (wanking) hand.

It never rains.

Unaware of the potential disaster happening just outside Brody continues to explore the wreck only to find a shark lying (floating?) in wait - seriously is there anything this movie doesn't have? - so decides to head back to the surface to formulate a new plan.

Approaching the exit Brody notices George's predicament so swimmings out thru' a handy hole in the planes fuselage he valiantly attempts to tug George free.

With only oooh an hour or so's worth of oxygen left Brody has the choice of heading to the surface and fetching a crowbar or hastily cutting of George's arm with a rusty penknife.

Guess which plan he plumbs for.

Dragging his stricken comrade to the surface Brody is surprised - tho' not as surprised as George is - when a boatful of henchman fire on the pair hitting George in his face which explodes in a sea of blood.

How's your luck?

Brody is forced to dive below as two scuba-divers give chase.

Imagine Thunderball but re-shot in a council swimming pool by blind, hook-handed children.

You're welcome.

"Excuse me I have my woman's period!"


Brody - being the hero - outwits the pair by hiding in an underwater cave before returning to the surface and and tossing John off (the boat), stealing it them jetting away.

Phew.

Heading to the United States Consul demands an investigation.

Or at least a shifty handjob from the ferret-like ambassador only to be told that they all know about his reputation for making up stories and that he should fuck off.

Which is nice if a little extreme.

Dancing provocatively for the embassy staff Brody manages to persuade them to mount a search for the plane only to find no sign of it upon returning to the site.

True there seems to be the remains of an explosion but the two couldn't be related could they?

Well the local authorities don't seem to care so why should we?

Perry Como impresses Johnny Cash by balancing a childs toy phone on his penis.


Meanwhile back at the subplot, Milland and his men are busy watching a video his grandson has made of a toy airplane sinking in a bath.

No hang on it's actually meant to be a video of the submerged Concorde being blow-up by a group of scuba-divers.

Tho' never having seen a multi-million pound plane explode underwater who am I to say that the footage isn't frighteningly realistic?

But then again I have eyes.

Their fun is short lived tho' as a sweaty subordinate soon arrives to spoil the day with some disturbing news.

Turns out that Jean is being held for a $1 million ransom by some badmen intent on squeezing a few quid out of Milland and Co.

But we all knew that anyway.

Bizarrely enough she's being held by the very same folk that Milland has hired to blow up the Concorde and kill any witnesses so it's not as if he doesn't know who - and where - she's being held so surely he could just get some other folk to kill the guys double-crossing him?

No?

Oh well it's obviously easier to pay the ransom and be seen as a push-over rather than violently deal with Forsythe and his pals therefore meaning that anyone else would think twice about crossing you in future?

Just a thought.

Anyway there's precious little time to think about such trivia as yet another Air France Concorde is preparing to fly from Venezuela to London.

Well actually it's the crew preparing for the journey, it's not some kind of sentient Transformers style robot plane.

Tho' at this point no plot twist would be too far-fetched.

Thinking about it any plot twist would be appreciated.

Or just a half decent plot in general.


Dollar: The porn years.

Later that evening, Brody - clad only in the briefest pair of pants ever seen on the cinema screen - sneaks on board Forsythe's boat where he overhears the crew not only planning to do away with poor Jean but also how they're planning to sabotage the other Concorde.

Scoundrels.

Being the designated hero Brody rescues Jean and the pair steal a speedboat and zoom away toward dry land where they hitch a ride to the embassy building from a local banana seller.

But Forsythe is soon in hot pursuit, determined to kill the dynamic duo before they can alert the authorities of the danger to Concorde.

As in the plane not the market famous for selling knock-off trainers in my home town of Sedgley.

Cos it's obviously not the one in Brierley Hill seeing as that shut in 2013.

The planes on that sigh are heading for an almighty crash.


On board the aforementioned Flight 128, Captain Barry Scott (famed Hollywood television actor, dancer and closet homosexualist Johnson) is shocked to find the plane suddenly losing power, tho' it's more shocking that the production team thought that anyone would be fooled into thinking that the cockpit of Concorde is the size and shape of a small cupboard.

Turns out that just like previously, an evil henchman has sneakily popped vials of acid in the microwavable chicken which when heated leaks out of the ovens and fuses the planes electrical cables.

So there you go.

With the plane losing more and more power and Brody and Jean surrounded by Forsythe and his men things are looking grim for the passengers of Flight 128.

And not even the soon to be star of Cannibal Holocaust Robert Kerman who's just turned up as a frightfully British air traffic controller appears to have any idea how to save them.

Or any idea of what he's doing there if I'm honest, other than as a favour to the director obviously.

Will Brody make it to the consulate before it's too late?

Will Concorde crash into the ocean?

Will I ever learn not to spend my Friday nights watching utter shite?




Made no doubt to cash in on the upcoming Airport '79: The Concorde (the fourth and final installment of the Airport franchise) and shot prior to his mockumentary masterpiece Cannibal Holocaust, Ruggero (or Roger as he's known here) Deodato's The Concorde Affair is a bizarre hodge-podge of sub-Bondian bad guys, package holiday globe-trotting and threadbare effects held together (barely) by the genuine charm of James Franciscus.

Tho' it may be the effect of all the duty-free he consumed during the shoot.

Who knows?

Obviously he wasn't as drunk as screenwriter Ernesto Gastaldi was when he started to write the plot tho', it's all over the place - at one point espionage thriller and at another it's a disaster movie before randomly throwing in shark attacks and kidnapping subplots whilst screen legends Edmund Purdom and Joseph Cotten appear every few minutes in scenes that play like a community centre version of Dallas.

Of the other cast members of this brain-melting ball of half-baked confusion and coincidences, the yumsome Mimsy Farmer is criminally underused (and overdressed) as Jean, forced into an oversized mans shirt whilst crying and muttering to herself leaving the aforementioned Franciscus to carry the whole movie, tho' to be honest he just seems to be enjoying the paid holiday.

And you can't really blame him.

On a more bizarre note it's strange yet somehow entertaining to see a star of the golden era of Hollywood - in this case Van Johnson (best known - to me anyway - as The Minstrel in the Batman TeeVee show) reduced to sitting in an office chair sweating at a wooden board with broken clocks stuck to it, vainly attempting to convince us it's an airplane cockpit as ex-porn god and future Cannibal Holocaust star Kerman (dubbed it seems by Damon Albarn) stands about in an horrific shirt swearing at people.

And all to a brilliant Stelvio Cipriani's score.

True it's practically the same score as he used in Tentacles and What Have They Done to Your Daughters? but it's still a good one.

"Is it in yet?"

Veering wildly from genius to madness between - and sometimes in the middle of - scenes Concorde Affaire may be ludicrously loopy, unimaginably insane and cheaper than your mum but still has a kind of feckless charm sadly missing from modern day blockbusters.

Plus it's a damn sight more entertaining than the David Lowell Rich movie it's ripping off.

Sorry, paying homage to.

Plus I'd rather see a nearly naked James Franciscus dodging bullets on a speedboat over George Kennedy’s cum face any day.


Wednesday, February 4, 2026

rave from the grave.

 Celebrating the birthday of the king of the undead George A Romero with this creepy cacophony of corpse based floor fillers.... 

Stay scared!