Friday, May 29, 2020

thought of the day.

mind your language.

Since lockdown myself and the boychild have been amusing ourselves by taking daily walks up the woods and along the canal.

No idea why this film came to mind during yesterdays walk tho'.....

Risky to write NHS on this lock, if any Tories see it they'll probably try and sell it. Bastards.

Invaders of The Lost Gold (AKA Horror Safari, Safari of No Return, Greed 1982).
Dir: Alan Birkinshaw.
Cast: Stuart Whitman, Edmund Purdom, Woody Strode, Laura Gemser, Harold Sakata, David De Martyn and Glynis Barber.

Mmmmmm.....starburst effect.

The year is 1945 and somewhere deep within the lush, verdant jungles of the Philippines a crack squad of (really sweaty) Japanese soldiers and their native minions are carrying huge wooden crates of gold to the coast where it will be shipped back to Japan to help the war effort.

All is going to plan until the (frighteningly bare arsed) local cannibal tribe decide it would be a good laugh to jump out of the bushes and start firing arrows at the unfortunate soldiers before beheading them and dancing about with the said heads on poles.

Which is nice.

The Chuckle Brothers have let themselves go.

After an out of focus minor skirmish the Japanese that still have their heads attached run away and hide the gold under a pile of leaves in a nearby cave before beating a hasty retreat back to the Holiday Inn or wherever they've been staying during the films production.

Before leaving tho' they make a vow to one day return together to retrieve the booty.

Without warning we suddenly jump forward in time 36 years to join weaselly Englishman Rex Larsen ('B' movie ne'er was Purdom) as he cruises the mean streets of Tokyo looking for the three surviving soldiers to 'persuade' them to take him to the caves so he can get his stinky little mitts on the gold.

Things aren't going that well for poor Rex tho' as a mix of bad manners (and bad luck) means that he accidentally killed the first soldier he came across (oops) and the second one he spoke to committed Hari Kari.

Must be his aftershave.

Or his rotten fish breath.

Mark attempts his party stopping Fatty Arbuckle impression.

Luckily the surviving squaddie, Mr. Jeff Tobachi is always looking for ways to fund his pie habit and offers to lead a team to the cave for a very generous 30% and all the cakes he can eat.

All that's left now is to get Brit Toff Douglas Jefferson (De Martyn in his only big screen role. Shame) to put up the cash for the expedition and pick a motley band of adventurers to head out into the jungle to retrieve the gold.

Rex is very annoyed to hear that Jefferson is insisting on using piss stained mercenary Mark Forrest (one time star and full time alcoholic Troy Tempest lookalike Stuart Whitman) to lead the team, it appears Rex and Mark have a history (but not of the sexy kind) and the thought of having to share a tent with him has left Rex all riled.

Yes, the film is really this fucking grim.

Cut to grainy (well grainier than the rest of the film) footage of sexy bar signs and slinky hipped oriental girls dancing badly. In between the baying sailors and bespectacled tourists is our hero Mark slumped over a bottle of finest J & B and dribbling like a baby.

It's right about now that we meet Cal (Strode), Mr. Jefferson's right hand man, who's been sent to find Forrest and offer him a deal.

Pausing only to admire the dancers stomach muscles his enjoyable night out is spoiled by one of the group of sailors standing in front of him turning round and uttering the immortal (and possibly fairly offensive line) "Check out the big black bastard here!".

Some gammons social distancing yesterday.

Ignoring the barrage of - not so - thinly veiled insults as he bops along to the glorious disco sounds Cal finally loses his cool when one of the sailors admits to 'not liking niggers' causing the until now calm Cal to become a frenzied fight machine intent on kicking the absolute shite out of anything and anyone near him.

This is enough to sober up Mark who decides to join in.

Waking in the cells all snuggled up the next morning Mark and Cal have a quick chat about jungle trips before bidding their farewells and going their separate ways.

Mark however is interrupted a few hours later still drunk and mid shandy by Jefferson clutching a wad of cash.

Before Mark gets the wrong idea Jefferson explains that the money is to secure his services as team leader for the expedition.

Mark hiccups and drops off to sleep in a warm bed of his own urine.


 Jefferson has only one option left open to him and that's to send his beautiful young daughter Janice (Glynis - Dempsey and Makepiece - Barber in a shocking wig) to seduce Mark into coming.

On the jungle trip obviously.

"To me!" "To you!"

Well this seems to do the trick as next thing we known he's standing on the bow of a boat in all his safari shirted, open necked, man breasted glory as a team of stereotypical natives carry tins of peaches and condensed milk on board.

One of the party appears to have there own (evil) agenda tho' and if that wasn't enough, Mark's ex girlfriend the sultry Maria (purring pussycat Gemser) and her chubbie hubbie are acting (if that's not too strong a word) as guides for the team.

With this mix of ex minxes, jolly Japs, evil Englishmen and alcoholic Americans what could possibly go wrong?

Sing Lofty.

They've only just finished setting up base camp before the horrible (and 'accidental') deaths begin.

First up Maria's fat hubby is killed by a snake (after first embarrassingly having a tent collapse on top of him) then a nameless man is killed in slow motion by a photo of a crocodile (or five photo's of a crocodile in a jammed, second hand Viewmaster, tho' it may have been an alligator the picture was so scratchy it was hard to tell) and Rex disappears (whilst shaving no less).

Mark, between bouts of drinking and sticking it in Janice decides that the merry gang should stick together in case anyone else suffers a mysterious accident which is Maria's cue to go skinny dipping (she's already disappointed us by not having a big sexy lesbian shagfest - as she does in every other one of her movies - with Glynis so this is the next best thing).

"Not my wanking hand!"

After a good (and I do mean good) ten minutes of Lovely Laura frolicking about in the water the soundtrack goes all sinister whilst the picture went all grainy and slow-mo.

I actually thought my player, having finally had enough of all the shite I force it to play had become sentient and decided to end it all.

Worriedly fiddling with the front of the player whilst randomly hitting buttons on the remote control I was brought back to reality by Ms. Gemser's shrill screams as an unseen horror appeared to do bad things to her under the water.

Or something.

Anyway the next thing we know she's lying face down in a puddle, her arse shivering in the cold air as Cal shoots at something strange in the trees.

Yup, after 30 minutes screen time and nary a minge-munching in sight Gemser is out of the picture.

I know the lovely Glynis is still around but honestly what are the chances of her wanking off a monkey at the directors request?

Gemser: Ask your (grand) dad.

Now everything has gone to Hell in a handbasket (I still have no idea what that means), Mr. Tobachi is sweatily blaming Cal, Mark is feverishly searching for a bottle of scotch to dull the pain of the script and Cal is playing guitar as Janice and her dad stand around looking like right tits in their pith helmets.

But the quest for the gold must continue tho' as there's still 25 minutes left on the running time (not to mention that seeing as there are less folk now it means the survivors will get more cash) but will any of them make it out alive?

Will Cal fall off a rope bridge and fall to his death in a 'bottomless' 15 feet deep cravas?

Will Jefferson end up skewered like a big leathery posh kebab?

Will Tobachi ever have a full tummy and will the cannibals re-appear to protect their sacred land?

You'll have to see Invaders of The Lost Gold to find out.

Tho' the answer is rather upsettingly no to the last one by the way.

Same shit, different smell.

Invaders of the Lost Gold is one of those unique movies that transcends it's simple, cack handed film making roots to become something so much more.

You actually begin to feel sorry for the cast and crew as the film plays out it's threadbare plot, taking the obvious pain and hurt in their eyes as your own, every disappointed glance and hungover action begins to affect you on a personal level, almost as if you been the victim of some cruel crime from which you suffer waking nightmares and flashbacks.

"Put it in me!....oh wait somebody already did".

After a gung ho opening that offers us guns, gold and gory cannibal action the film jumps forward in time and grinds to a halt never regaining its momentum as it's unfortunate cast are forced to deliver clichéd line after clichéd line whilst wandering around the directors garden in the vain hope we'll think they're in the jungle.

Minutes of valuable screen time is used showing the cast erecting brightly coloured garden party marquees on freshly cut grass whilst chatting inanely about about the green jungle hell and the dangers therein when (as viewers will testify) the only danger facing anyone is the very real possibility of Stuart Whitman collapsing from too much drink, his puffy red eyes and hideously sun burnt neck reminding one of the old tramp you always find sprawled out in the local kiddies play park on hot summer days.


True, there are some scenes of genuine horror in the movie but they're inadvertently the ones where the geriatric and bloated Whitman is giving it full on tongue action with the fresh faced Glynis Barber.

You can almost hear the strain of his trousers as he gets more excited than he has for years (or at least since his last drink) and this image if nothing else will haunt me till the day I die.

Add to that the fact that this was made the same year as Raiders of The Lost Ark and you can be guaranteed a chill down your spine just thinking about it, I mean what was director Alan Birkinshaw on?

Rod Steiger, up the casino, Clackton, 1982.....YESCH.

Whatever it was he must have continued taking them seeing as he followed up this classic with the terrifying straight to video hell that is The Best of Gilbert and Sullivan (featuring one time Master Peter Pratt) and the star studded An Orchestral Tribute to the Beatles (?) before 'modernizing' a couple of Edgar Allen Poe and Agatha Christie stories and redeeming himself with three episodes of the fantastic Gerry Anderson 'cops in space' show Space Precinct.

His last known whereabouts was directing the German Teevee series Die Unbestechliche in 1997.

He's been missing ever since.

It's just a pity this film isn't.

But saying that, if you follow this blog chances are you'll love it.

I know I did.

Tuesday, May 26, 2020

party like it's 1985.....

Just because folk have said I need to make this blog way more teen/child friendly and to show that my finger is on the pulse, enjoy this blast from the past.

'Your' 1985 fashion and beauty horoscope.

the entrance of uranus.

Was watching the whole Dominic Cummings lockdown farrago on teevee last night and for some unknown reason decided to rewatch this to cheer me up.

Well that was interesting wasn't it?

The Red Monks (1988).
Dir: Gianni Martucci.
Cast: Gerardo Amato, Lara Wendel (meow), Malisa Longo, Chuck Valenti, Claudio Pacifico, Mary Maxwell, Gaetano Russo and Ludovico Della Jojo.

The Garlini family are one of those unlucky enough - but quite common according to Eurotrash cinema - to have some kinda curse that gets visited on generation after generation.

Unlike most movie curses which seem to involve Werewolves or hidden torture chambers the Garlini one appears to concern a violin playing old woman and a nude, turban headed lady with a predilection for jogging.

Takes all sorts I guess.
But enough scene-setting let's get on with the film good and proper and focus our attentions on a groovy young fella-my-lad about town (in a snazzy Burton's suit) has just noticed the aformentioned - naked - jogger running around his garden so decides to call out to her (as you would), being a typical woman she ignores his cries and heads into his house.


Following her indoors and down into the house's sprawling basement the nameless bloke finds this dusky beauty standing with her back to him giving him plenty of time to take in her curves whilst admiring her hairy back and ample arse.

But before you can say 'up the casino' the mysterious Miss slowly turns around and with sword in hand beheads the poor sod.


A lady reading a newspaper in an extremely natural way yesterday.

Worried that the confusion and strangeness of the scene may caused our tiny minds to explode a scary voiceover man suddenly breaks the silence and whilst sexily intoning "fifty years earlier" snaps us back to reality.

Which comes as a blessed relief for us mere mortals after experiencing so much terror so early in the proceedings.

Luckily we're still in the grounds of the house so it's not too much of a challenge to figure out what's happening plus we still have a hunky man in the garden, only this time he has a name.

And quite a sexy physique.

Ladies and gentlemen (especially ladies) please be upstanding for 'Big' Bob Garlini (Disperatamente Giulia's Amato) who whilst busily tending to the rose bushes comes across (not in that way) a foxy woman - dressed as a dinner lady for reasons only known to the director - stuck up a tree being barked at by his hairy dog.

Which in itself is a bit bizarre because the woman in question is played by Lara Wendel, who also gets snapped at by a big dog in Dario Argento's Tenebrae.

No idea if that's related tho'.


Wendel: In bed with me dinner (lady).

Being hunky and spunky Bob convinces Ramona (for that is her name) to jump out of the tree and into his manly arms just before the rubber joke shop spider that's glued to one of the branches 'bites' her.

As she falls into his arms their eyes meet and it's love at first sight.

Whirlwind romance and marriage follow, which would be all well and good if not for Bob's dark secret.

And you'll never guess what it is.

Tho' the clue is in the films title.

Yup, that's right, Bob has a cellar chock full of spooky red monks intent on having his new bride sacrificed to them within four days.

But that's not all because for the sacrifice to work she has to remain a virgin.

Now how's he gonna explain this to his nan?

As you would expect, this puts a wee bit of pressure on the poor guy on his wedding night, forcing him to leave Ramona lying spreadeagled on the bed with a look of saucy intent in her eyes whilst he paces around the garden in a housecoat.

Poor Ramona ends up spending the night propped up in bed reading Take A Break magazine whilst scoffing chocolates all the time wondering if she should have just jumped out the tree and let the dog have her.

Which, if I'm honest would probably have been quite an interesting scene.

From an artistic viewpoint obviously.

To make matters worse, the next morning Bob is called away to an 'important business meetings' leaving his grumpier by the minute bride sitting at home getting the piss taken out of her by the housekeeper Priscilla (genre goddess Longo from oooohhhh loads of stuff including your granddad's bed) - who it turns out is having an affair with her hubbie.

It's like a gore filled version of Dynasty.

Your mum gets ready for parents night. And you wondered why your grades were so good.

It's not all bad tho' for Ramona's blonde haired haired, poppy eyed maid Lucille (Maxwell from Dirty Love II: Love Games) quickly strikes up a friendship with her, entertaining the new Mrs. Garlini with tours of the scary cellar to check out the handy guillotine kept hidden in there.

Deciding that spending her evenings skulking about in dank cellars is way more fun than watching the shopping channel whilst eating crisps, Ramona begins to enjoy her time searching the basement for goodies to sell at carboot sales so it's not too much of a surprise when one day after moving a particularly dusty commode that she finally comes across the red monks busily (and quite quietly) going about their basement based business.

Which would be freaky enough if she didn't suddenly wake up in bed half way thru' the chat.

Is she going mental?

Well her hubbie and housekeeper seem set on trying to convince her so.

Me? I just think she's a typical woman.


Lucille, being cool and full of girl power and sisterly love is having none of it tho' and tells Ramona that she did indeed go into the cellar that evening and that she isn't in fact going loopy after all.

Phew, that's OK then.

Luckily everything seems to be back to normal the next day - well, if you forget about the monks, the plot to send Ramona mad and think that the fact that her hubbie keeps eying up the housemaid is normal - so our lovebirds decide to enjoy a picnic in the garden, this romantic notion is oh so slightly spoiled however when Lucille's severed head pops out of the picnic hamper during the cheese selection.

Trying to make the best of a bad situation, Ramona reckons a wee bit of painting may calm her nerves, but would you credit it, that darned spider is back on the loose.

Wendel: Womanly perfection personified.

As if by magic (or perhaps because Wendel hasn't got her kit off yet) the arachnid attack is rudely interrupted by an unhealthily thin bloke with a stringy ponytail who gingerly swats the spider to one side before having some of 'the sex' with our heroine.

Fairly annoyed to begin with (he keeps dipping his cock in her watercolours) Ramona finally gets into the groove as the youngsters say, hoisting up her dress and and going with the - sweetly sticky - flow.

I say flow but it's more of a sticky, gooey mess if I'm honest.

After a few minutes (I'm being kind) of fiddly fun the mysterious stranger wipes his cock on Ramona's canvas and stands up. Not to be outdone in the romantic stakes our horny heroine quickly pops her pants in her pocket before arranging to meet the leathery Lothario for drinks in a local bar later that night.


Day soon turns to night and Ramona excitedly travels to the local pub for a pint, a plate of scampi and some excited chat.

But our horny hairy-man has a surprise for Ramona and after a few bags of pork scratchings and a bottle of house wine takes her to visit a stinky tramp with a comedy stick on beard.

But why? I hear you cry.

Well it appears that only he knows the full gory story of her hubbies house.

As Friends star Jennifer Aniston once said, pay attention, here's the science part.

Aniston: Five fingers, never touched the sides.

Coughing up a tasty bit of black lung the old man seductively whispers thru' his fishy beard " all began in the year 1426..." prompting the screen to go all wibbly wobbly (tracking's dodgy mate) before coming to focus on a pointy chinned man in tights drinking cheap wine.

Lord Lloyd Lodorisio (for that is he), being rich and bored spends his days hanging around with that group of red hooded monks from earlier getting into all kinds of scrapes, setting fire to phone boxes, making prank calls, graffiti-ing walls and the like much to the chagrin of the local populace.

He may sound an utter arse but at least he draws the line at pretending his wean's autistic so he can fuck off for the weekend with his missis unlike some folk we could mention preferring instead to pop his cock in random dusky wenches he finds wandering about on his land.

Fair play to him.

The local church, understandably annoyed by all these unholy shenanigans decide to send a mysterious, black masked assassin to kill Lodorisio.

As you would in those circumstances.

"Is it in yet?"

After a - very slow - primary school style sword fight, the assassin ends up with the Lord's long blade wobbling scarily at his mouth (OK it's at his throat but that doesn't sound as rude), dropping to his knees and begs for mercy whilst the loopy Lorde stands astride him laughing like a loon.

Just as all seems lost Mr. Assassin sees his chance and sticks Lodorisio with his poisoned ring before tossing him off (the balcony) and hitting him repeatedly with a mace for good measure.


As was the law in the olden days, the assassin inherits not only Lord Lodorisio's lands but his sultry gypsy wife too, unfortunately tho' before he can drag her off to the bedroom she lays down a curse on him - and his descendants - forever.


If this wasn't a big enough revelation in itself (it's like 20 Christmas day episodes of EastEnders at once) it turns out that Ramona is apparently a descendant of that very same gypsy and it is her destiny to have revenge on Bob.

Taking it all in her stride (but not alas up the Khyber) she buys a sword from a local armorer and heads back home....

Bob in a monk house yesterday.

Will she behead her hubbie?

Will the fabled red monks do anything but stand about?

Who beheaded Lucille?

Is Ramona a ghost?

And why is Bob shagging the housekeeper when the cast includes both Wendel and Longo?

Is he mad?

One of these questions may be answered by the movies end.


"I Frati Rossi? All talkin' Scotch ain't they?"

From director/writer Gianni (Naked Girl Killed in the Park) Martucci comes this (very) loose remake of the Mario Bava classic Lisa And The Devil but minus that films suspense shocks and thrills obviously.

Well he had to find some way of making it different didn't he?

Longo: saucepot.

Produced by genre genius Lucio Fulci (whom I'm sure had a hand in casting showing the pedigree of the Eurohorror talent on screen) alongside an obviously feverish Pino Buricchi (the man who gave us Intimate Crimes and Cindy's Love Games amongst other gems), The Red Monks maybe be at times tedious with plot holes so big that you could comfortably reverse Dominic Cummings thru' without touching the sides but the classy cast and kooky creepiness ultimately win the viewer over.

Plus whenever you're feeling like ending it all rather than sit thru' another second of dodgily dubbed doomsaying, a pair of 70's breasts pop out of nowhere or a head rolls out of a hamper and suddenly you're transfixed again.

And before you know it you're hooked worse than your mum on the paperboys cock.


Monday, May 25, 2020

joe le taxi.

Dario Argento and women in ongoing project.

yub nub!

Celebrate the birthdays of both Star Wars: A New Hope and Return of The Jedi (plus a belated birthday bop for The Empire Strikes Back)  with this Sith-tastic mix of Skywalker inspired sounds remixed for your dancing pleasure. 

Caution: may contain Gungans.

Sunday, May 24, 2020

people you fancy but shouldn't (part 93).

Christel Bodenstein, most famous for her portrayal of
the haughty princess in The Singing Ringing Tree.