Sunday, September 18, 2016

skinny deeping.

Was chatting with Mr. Paul earlier this week re: The Shallows (and sharks in general) when he asked why I hadn't done a wee review of In The Deep, a great little movie we'd both seen a few weeks earlier.
I scratched my head and said the dog had eaten the review and that I had a letter from my mum to prove it.
Unfortunately Paul called my bluff so I had to admit that the only letter I had was the one disinheriting me.
So, to make amends here's a very (for me) short review (don't want to give too much away) plus a wee bit of background first to set the scene.
Earlier this year at Glasgow FrightFest director Johannes Roberts popped along to show us his terrifying tale of totems, terror and antique tables, The Other Side of The Door as well as giving us a sneaky peek of his upcoming shark shocker 47 Meters Down.
The footage to hand promised an old school cinematic scareathon with some really nice shark effects and a taut, tight premise. 

Excited at sharks being taken seriously again we awaited its release with baited - and slightly eggy - breath.

Not this one.



Flash forward (and then forward again if you're reading this today) to the beginning of August when In The Deep (as it was now titled) was listed to appear on DVD and VOD.

Then suddenly, like a great white swimming away into the dark it disappeared.

And the reason?
Well, thanks possibly to the success of The Shallows, the movie was rescued from DVD obscurity by Freestyle Media who plan to release it in around 2,500 theaters sometime in 2017.
How bizarre - but great for film fans - is that?
Especially since In The Deep was actually completed first.
And truth be told a better film.
And with that let's go.....
In The Deep (AKA 47 Meters Down, 2016).
Dir: Johannes Roberts.
Cast: Mandy Moore, Claire Holt, Sir Matthew of Modine, Santiago Segura, Yani Gellman, Chris J. Johnson and Axel Mansilla.



Sugary sweet sisters Lisa and Kate (Moore and Holt) are on holiday in beautiful Mexico (which by this point should be named shark attack capital of the world), partly to get pissed and eye up the local talent (who are by the by really nice people and not these rapists and drug dealers that Donald Trump keeps shouting about) but mainly to help Lisa mend her broken heart after being dumped by her vile fiancé Chad Mantits.
And why am I taking her side?
Well he must be a total shit to dump Rapunzel from Disney's Tangled.
Nuff said.
Enjoying a few drinks in the hotel pair our cutesy twosome end up 'partying' (as you youngsters say) with local hunksters Louis and Benjamin, who offer to take the girls shark diving the next morning.
Which bizarrely enough does actually mean diving with sharks and not indulge in some kinky south of the border sexiness.

And by south of the border I mean Mexico, not something anal based.

Glad that's out of the way.
Lisa, being the shy sensible type (with a fear of water to boot) is unsure but is soon persuaded to join in by her more boisterous sister so off they go to sea alongside the boys and the salty sea dog Captain Taylor (Modine).
Their mission?
Get (wet) suited and booted and jump into a cage where they’ll be able to get up close and personal with the great white circling down below.

What could possibly go wrong?
In the midnight hour she cried Moore, Moore, Moore!
Worried, excited and aroused - I mean come on it is Matthew Modine - in equal measures the girls quickly jump into the cage and prepare to enter a magic and dangerous world under the sea.

Lisa soon relaxes, even attempting to stroke the shark at one point and admits to her sister that her fears were unfounded.

Which is nice.

With shark selfies taken the girls signal the boat to return to the surface but the cage cable snaps sending the pair crashing to the bottom of the ocean - which is 47 meters down fact fans - not only that but the massive iron pulley system has gone overboard too and is currently resting atop the cage.

Which is never a good sign.

As the scared shitless sisters struggle to save air and stay calm, the shark, obviously intrigued as to what an ex-Disney star will taste like, swims ever closer...

What do you call a fish with no eyes.....a fsh. (that doesn't really work written down does it?


As mentioned previously, you can't help but make comparisons 'tween this and
​The Shallows, both feature female protagonists taking on one of mother natures nasties and both have our leads cut off from help but for sheer claustrophobia and tension, In The Deep wins hands (fins?) down.
Although much location work was filmed in the Dominican Republic nearly all of the underwater scenes were shot in a (broccoli filled) water tank in Blightly which I'm only pointing out because you would never tell otherwise, the films (relatively) low budget in no way hindering or cheapening the overall feel or aesthetic of the film.
During his onstage Q and A at Frightfest Roberts jokingly apologized that the shark on show may look a bit ropey due to it not being completely rendered in the showreel, he needn't have worried then or now as the beast looks magnificent, I'm assuming that real sharks were composited into some shots alongside CGI equivalents but to be honest I really couldn't tell.
Nor did I care as I became totally involved in the plight of the characters onscreen as their predicament unfolded almost in real time, each character (even those sketchily drawn ones on the surface) seemed to react as real people not thriller movie cliches just there to forward the plot.

Which is a pleasant surprise.
Oxygen in mah mooth!
Roberts alongside, cinematographer Mark Silk do a fantastic job of making the most out of what is essentially a pitch black environment, their measured use of various lighting techniques (flares, hand-held torches etc) give a real sense of depth (excuse the pun) and menace to an alien world where (wo)man is just so much meat.
Lean, mean and peachy keen, In The Deep is a probably the best man vs. nature movie since Adam Green's chairlift chiller Frozen, which if you haven't seen do so now, then beg, borrow or steal a copy of this for a fantastically fearful film double bill.

No to find some shite to review, I appear to be enjoying myself way to much at the mo.

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