Sunday, October 27, 2019

cannibal xerox.

Just realised that there's been precious little cannibal cultness (or cuteness) in this years 31 days of horror

Unfortunately this was the first thing I could find.
Mondo Cannibale (AKA Cannibal Holocaust 2, Cannibal Holocaust: The Beginning, Cannibal World. 2003).
Dir: Bruno Mattei.
Cast: Helena Wagner, Claudio Morales, Cindy Jelic Matic, Antoine Reboul, Kevin Maxwell, Brad Santana, Michael Garland, Foster Howard, Eniko Bodnar, Zsilvia Chernel and Chan Le.

Well, somebody had to buy it.

The harsh of face yet smooth of thigh TV journalist cum Fame-hungry celebrity Grace Forsythe (Wagner, daughter of the composer of The Ring Cycle possibly) is in a dilemma.

Her hard hitting real-life reportage/review show NewsMooth has been unceremoniously canceled due in part to plummeting ratings but mainly due to its general crapness.

Five fingers, never touched the sides.

Understandably angry (and a wee bit aroused judging by the sweat on her top lip) at the decision she storms the TV station in order to confront her Tefal browed studio boss Geoff Head (played by an angry testicle) about the situation.

But as the tempers fray and the voices raise the whole thing goes from bad to worse via shouty McShoutington as Grace, whose narcissistic tendencies rival even those of pig-faced spunk-bucket Katie Hopkins, offers to let him stick it in her if he recommissions her show.


"To me! To you!"

Sensibly holding out for a better offer (possibly a crack at her flaxen haired, Goddess like co-star Matic, I know I would) he manages to resist Grace's bullish charm but does offer her a lifeline.

If she can persuade her ex co-presenter - and former lover - Bob 'horse cock' Manson (Poundshop Antonio Banderas, professional sexy man and star of Land of Death, Morales) to accompany her on a trip down the Amazon - as opposed to up the casino - to film a no holds barred expose of cannibal rituals he'll commission a second series.

The only rule is that she mustn't be naughty and go around faking any footage or burn any villages downs.

Just in case Ruggero Deodato sues obviously.

With her pudgy little sausage fingers crossed behind her back Grace agrees.

Five go mad on Meth.

With the contracts signed and the sun block packed our dynamic duo, along with their merry band of ratings hungry TV professionals (including the platinum princess of power herself Matic as ace troubleshooter Cindy Blair) in tow, the merry band excitedly descend into the Amazon jungle determined to find the worlds legendary last remaining cannibal tribe at any cost.

And by any cost I actually mean any cost that doesn't go above the films £18.65 budget obviously.

But first things first and there's just enough time for a wee bit of topless sunbathing and a chance for their native guide Brian to get all hot under the collar as he nervously rubs lard all over Grace's hairy back and arse.

It's a dirty, nay sticky job but someone has to do it.

And by rights it should be the lowliest member of the cast.

Unfortunately (for us) he gets sent off to perform some odd jobs before he can get round to oiling up Cindy (bah) and so with a heavy heart, heaving bosom and slightly damp undies the lovely ladies get - slowly - dressed before rounding up the troops (which before you ask isn't a euphemism for touching each others breasts) and venture forth into the unknown.

Which is lucky really, seeing as last time they ventured fifth and only won a coconut.

I thank you.

"And when I want a good mooth
shite-in I pull THIS face!"

As the team sweat and fart their way thru' the undergrowth (or in this case the garden centre behind Mr. Mattei's house) allegedly miles from civilization, you can understand why Bob is so surprised when a group of battle hardened soldiers suddenly appear from behind a bush.

Their camouflage must be bloody effective seeing as the 'jungle' is only about as big as a school gym.

It seems that they're members of some elite UN jungle protection force charged with stopping the locals eating each other and protecting the trees from loggers and the like.

But today is Wednesday which means that they can forget all that and spend a few hours hiding in the local fauna taking pot shots and the scantily clad, pot bellied natives.

Bob is appalled by such random acts of violence and in a manly display of testosterone fueled righteous anger stamps his foot for a bit whilst tutting.

Grace on the other hand reckons that a wee bit of random violence is just what the show needs so she gives the soldiers 50 pence and a bag of Haribo Starmix each to continue shooting the 'savages'.

They greedily agree as Grace hurriedly sets up her camera. 

Best. Caption. Ever.

With a tape full of killings and a promise of more gruesome goodies to come our intrepid band of bad men and ne'er do wells bed down for the night.

Their next stop, according to the map is a village of friendly tribes folk.

Understandably Grace reckons that this might be a bit boring for the viewers so suggests that they should set fire to the place before shooting all the old folk in the face and stealing all the kids sweets, Bob however, being a world weary and cynical type, thinks that there's enough violence in the world without causing any more.

Especially in the name of TV ratings.

Right on.

Grace gently reminds Bob that he's getting paid at least £12 and all the Monster Munch he can eat for taking part in the programme so he'd better stop whining and start killing.

Thinking it over for at least a minute Bob sighs and gets to work polishing his massive weapon.

Grace sneaked away from base camp
to scoff the gangs last Snickers bar.

Meanwhile back at the studio, Geoff Head is foaming (at least it looks like foam) at the mouth as he views the incoming footage before literally exploding with unashamed delight when the viewing figures are released.

It seems that everyone on the planet bar three people in West Bromwich (who don't have a television set because they swapped it for magic beans and a Britain First hoodie) are avidly watching the groups every move.

Geoff's dad (and owner of the station) is less impressed tho' feeling that what the audience really want is less violence and more novelty dog-based acts.

After a tense board meeting the old fool is sent packing as the entire committee contact Grace to demand more murders.

And maybe a side order of violent buggery.

"Raugh row!"

Grace and company are more than happy to deliver and spend the next few days burning down villages, shite-ing in peoples gardens and parading old, shaggy breasted grannies before the cameras in between raping the odd virgin and skinning various animals, all in the name of entertainment of course.

Imagine a lower rent, slightly less patronizing version of Ant and Decs Saturday Night Takeaway and you're halfway there.

Everyone seems to be enjoying the ultra-violent holiday, egging each other on to commit more and more sordid and sick acts of depravity, except Cindy that is who, in a moment of clarity shouts the age old question "I wonder who the real cannibals are?" at the group as they roughly bugger a wee native girl.

As heartfelt as her question is, she really hadn't thought it thru', I mean the real cannibals are the ones in grass skirts that eat folk aren't they?


As the violence continues unabated and the studio demands more and more shocking images (some involving goats) the film crew approach the jungle home of the infamous man-eating, Grant Morrison worshiping  'Invisibles', the most primitive and savage tribe ever recorded.

I say recorded but obviously they haven't been (yet) or there'd be not point in traveling all that way to get exclusive footage would there?

Or am I being too literal?

One sure fact about the Invisibles tho' is that you can bet that they don't give a monkeys ball about ratings.

Or cutlery.

Will our merry band survive their descent into the green inferno?

And if so, what will be left of them?

Sneakily promoted as Cannibal Holocaust 2: The Beginning in some territories (is this the most over-used title ever?), lo-fi exploitation king Mattei's homage (OK, shameless rip-off) to Ruggero Deodato's legendary mockumentary classic harks back to a more simple age of film-making when local video store shelves were stacked to bursting with low budget versions of hit movies and shit movies alongside cheap as fuck Brit movies of all shapes and sizes.

Actually they were all the same shape and size if I'm honest.

Except for the Betamax ones that were slightly smaller.

Oh yes and the Video 2000 releases which were fucking huge.

But I digress.

A meaty Matic sandwich....yum!

Like most of the late, great Mattei's horror output (from Zombie Creeping Flesh to Zombies: The Beginning), the screenplay is an almost exact copy of the source material in question (in his career the director homaged everything from Aliens to Dawn of The Dead via The Archers - possibly) but as with nearly all of his later work, cheaply and quickly made on video in the Philippines with a core band of actors and technicians that he would use until his untimely death.

Which isn't a bad thing really seeing as it meant that we got much more of the great mans work than we possibly deserved, with his final four movies being some of his most entertaining.

And not just because they introduced audiences to the wonderful Ms. Matic as well as the kick ass Ripley wannabe Yvette Yzon.

And for these reasons alone we should be eternally grateful.

"Ah fell aff mah beanstalk!"

But if you're worried that a drop in budget would somehow taint the great man's vision then worry ye not as there's plenty here to enjoy, from blood drenched breasts to flabby thrusting man ass via a tasteful pole-based abortion, Mondo Cannibale is the perfect date movie for those romantic nights in.

And who knows?

After sharing this with a loved one, you, just like the bouncy native girl chased thru the jungle by a horny Claudio Morales may get lucky too.

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