the king is dead.

 RIP Udo Kier

  14 October 1944 - 23 November 2025.

 

(egg) box frenzy

Haven't rewatched this in years, last time was when I reviewed it for the first issue of Crypt of Cult magazine (still available to buy over at Amazon, it makes a brilliant  read) and have come to the realization that it doesn't ever get the love it deserves.

A wee bit like your mum really.

Anyway seeing as it's Ian McCulloch's  birthday today I thought I'd reshare my thoughts on this classic, I mean even Morrisons seem to be celebrating this movie with their range of Contamination tie-in eggs....

So where do you start with such a review? 

With a huge HAPPY BIRTHDAY IAN! to its star obviously.

Enjoy.

Contamination (AKA Alien Contamination, Contamination: Alien on Earth, Toxic Spawn. 1980)

Dir: Luigi Cozzi (AKA Lewis Coates).

Cast: Ian McCulloch, Louise Marleau, Marino Mase, Carlo De Mejo, your mum  and a big green jelly.

Opening as most 80's Italian horror movies do - with grainy aerial shots of New York cut to a totally inappropriate synth score (this time supplied by Italy's finest prog rock legends Goblin) - Contamination begins with a mysterious 'ghost ship' approaching the harbour.

Not the one from Zombie Flesh Eaters tho', that was last weekend.

New York's finest, Lieutenant Tony Aris (played by the fantastically tanned Marino Mase) calls on the bizarrely out of (lip) synch Dr. Turner to explore the ship with him and a group of faceless (literally, they're all wearing bio-hazard masks) cops, who after wandering around in the dark for ten minutes come across the bloodied remains of the crew.

Turner is shocked, it appears that everyone on board either:

A. was replaced by shoddily cut up shop window dummies covered in cow intestines and jam.
or
B. exploded.

"Shite in mah....oh."

After depositing their lunch over one of the corpses (as you do) our intrepid band carefully creep into the ships hold, only to discover boxes upon boxes marked 'café' and a big green glowing egg under a pipe.

If that wasn't enough to make even the bravest man fill his trousers a strange and otherworldly noise, akin to a rusty tuba being played by an asthmatic beagle is spookily echoing around the hold.

Poking the egg with a pencil, Turner is shocked to see it burst open, showering him and all the team (save Lieutenant Aris) with what looks like a mix of PVA glue, green poster paint and KY jelly that has the fairly unusual effect of making all the non speaking extras stomachs explode leaving Aris looking slightly bewildered and the audience ready for 90 minutes of pure terror.

Probably.

"How'd you like your eggs love?"

Aris is whisked away to a top secret military base run by the, um, 'lovely' Colonel Stella Holmes (Marleau), who after stripping him naked, giving him an old blanket and locking him in a big fish tank explains that she runs a special operations unit (Section 5) specifically set up to combat the menace of scary eggs and would he like to join?

You would....and your Granddad probably did. Twice.

Aris jumps at the chance and, clad in a pair of Quick Fit overalls, accompanies Colonel Holmes and co. to a warehouse 'downtown' where they find what looks like a cut-price version of jive talking Italian 'B' god Bobby Rhodes guarding hundreds of the so-called killer eggs.

As the soldiers advance replica-Rhodes bursts one of the eggs causing him and his buddies stomachs to explode leaving the surviving eggs free to be destroyed by flame thrower equipped soldiers.

I have to be honest and admit that I'm really at a loss to explain the logic behind his plan.

"He did WHAT in his cup?"

If nothing else tho' it does allow Holmes to take a couple of them away to examine giving her time to deduce that these eggs could only have come from Mars and that they were brought back by astronauts on the last mission there.

You see, it appears that one of the crew, 'Mutha' Hubbard (played to angry ginger haired Scottish perfection by Italian horror veteran McCulloch, the reason you're here) had been ranting about finding a cavern full of big green tuba playing eggs on the red planet but his usually jolly and humorous co-pilot cum ex-UKIP councilor Neil Hamilton, had calmly (some would say too calmly - as if possessed) told everyone Hubbard was a mentalist.

Rather than find a way of checking his story Colonel Holmes had him locked up.

Now there's only one thing she can do.

Yup, go round to his house, slag off his sexual prowess, apologize for calling him mad and ask him to join a secret mission to South America to investigate the company exporting the eggs.

McCulloch sighs, swigs some more Heineken and slaps the colonel round the head before agreeing to join her.

Well, he is out of booze and it's carnival season down there.

Cue stock footage of a radio-controlled plane, mixed with shots of holiday makers, children in big hats smoking cigars, Aris in a pair of obscenely tight trousers and white socks and we're off to the hotel.

But our heroes are being watched.

Hamilton didn't die in a mysterious plane crash (I forgot to mention that sorry) but is in fact running the alien egg export company and his got something big, throbbing and slimy just for Colonel Holmes.....

Your Gran's cum face. Possibly.

It's a race against time to rescue the by now showering Stella - c'mon she's fairly fit for an old bird - and save the world.

Will they discover the secret of Hamilton's link to the eggs?

Will Aris get his leg over with Holmes or will his quickfire one liners fail to ignite her passions?

Why has Hubbard stolen a plane without telling anyone (to find more Heineken apparently)?

And will they survive an audience with the pant wetting terror that is 'the alien cyclops'?

From writing for the famous Italian movie magazine Galaxy and co-authoring Four Flies on Grey Velvet to directing such classics as Lou Ferrigno's big screen debut Hercules, Argento contemporary cum shopkeeper Cozzi's career trajectory has been nothing if not interesting.

Obviously you'll have to check out a film book/blog that cares about annoying things like facts and interesting content if you want to know more.

But if you're in a rush there are three films in particular stand out from his resume that you should watch ASAP - the frankly indescribable Caroline Munro starring Argento/Three Mothers sequel/tribute The Black Cat, the Caroline Munro (again, does he have dodgy pics of her stashed away?)/David Hasslehoff space fantasy Starcrash - the film that his career catapulted into the stratosphere (sort of) - and this, his follow up sci-fi epic where he turned his dreamy eyes to Ridley Scott's film Alien for inspiration.

Luckily for him (and us) his producers agreed.

But how could anyone attempt to match the cinematic perfection that was - and still is - the Scott classic?

It's with this solution that Cozzi cemented himself as a true genius of modern cinema.

Forgoing the tight editing, oppressive cinematography and top-notch casting of his inspiration Cozzi decided to take the opposite route and with it's Shoddily shot, inanely plotted action scenes and a cast that appears to be sleep walking (yes my friends even Ian McCulloch), Contamination not so much pays homage to Alien than breaks into its house, strips Ridley's classic naked, bundles it in a cupboard and sticks its toothbrush up its arse before getting it's dog pissed and putting lipstick on it.

Under blue moon I saw you
So soon you'll take me
Up in your arms
Too late to beg you or cancel it
Though I know it must be the killing time
Unwillingly mine...Fuck me it's a massive egg!

Unfortunately audiences mistook this brave almost Cinéma vérité style for genuine cackhandedness and stayed away in droves whereas in the UK the films stark realism was mistaken for a documentary leading the film to end up banned as one of the notorious 'video nasties' that your granddad keeps harping on about.

That's right, you could be prosecuted for owning this back in the day.

But luckily not for making it.

Eventually the truth was discovered during the infamous Wikileaks saga and the film was rushed onto DVD to terrify a new generation.

And talking to that generation directly I'd just like to say can YOU find a more enjoyable egg based, exploding chest filled Eurohorror than this one?

I think not.

she-it.

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stranger sounds.

 

Can't believe that it's 42 years today since Will Byers went missing.....Remember the day with 60 (very) odd minutes of strange sounds from the upside down:

 

king for a day.

 

 

Celebrate the birthday of Godzilla with 60 minutes of Gojira grooves, Kaiju cuts and massive monster mixes.

 

bark at the moon.

 

 

So it's the final day of the whole 31 Days of Horror thing, for those who've been reading along I salute you (all 3 of you) and hope you've had as much fun revisiting these classics as I have.

Anyway before this turns into a real film blog let's continue to the number 1 (or 31 if you prefer) spot by revisiting possibly THE second greatest zombie movie of all time* in part because the kids have been getting into horror movies in a big way of late so I wanted to make sure they only watched the best and it's with that in mind that I thought I'd reanimated this review for others who'd never seen it.

And if you are one of those unlucky few, for fucks sake where have you all been?

And by the way if you do (as you should) love this movie as I do, why not express that love by buying one of these fantastic Burial Ground T-shirts available here or even here.

End of plug.

As a curious aside before we begin I thought I'd just add that during one of our many chats regarding this classic long-time reader Mr Paul from The Canada (yes you can) discovered that apparently, (according to this ropey old VHS release anyway), the movie is actually set in Scotland.

Obviously there just happens to be a bunch of Italians and Etruscan Zombie monks kicking about.

But, he goes on to add, if that was the case, I'm pretty sure the most famous line would be "Ma, this rag totally stinks of pish".

Indeed.

Burial Ground: The Nights of Terror (AKA The Nihgts of Terror, Le Notti del Terrore, Die Ruckkehr Der Zombies - 1981)
Dir: Andrea Bianchi.
Cast: Peter Bark, Mariangela Giordano, Karin Well, Anna Valente, Simone Mattioli and Raimondo Barbieri.

"No, don't eat me. I'm your friend!"

Our tale of terror opens in a damp, dark cave - and surprisingly that isn’t a euphemism for Karin Well - where we join Santa's piss stained, fish-bearded and buggery obsessed brother examining some spooky cave drawings.

Obviously excited about this discovery he begins to bang on the walls whilst doing a - fairly erotic in the circumstances - drunk dance which unfortunately for him (but not for us) has awoken the dead that reside in the cave.

Dead that are hungry for human flesh.

And a wee bit of old man arse probably.

"Aye son, mah lottery numbers have

come up! oh no...ahv pished mah sel'."

Thru' the magic of cack handed editing it's suddenly the next morning where a motley band of visitors (three sexy young couples and a pot bellied dwarf  - sorry, small boy, my mistake) have arrived at the house and are looking forward to a weekend break in the country and catching up with their old pal Professor Ayres (the aforementioned bearded Barbieri).

Rocking up at the front door like some nightmare vision in Bri-Nylon our merry band are informed by the (fairly attractive in a kinda pound shop way) maid that the professor is out exploring and may be gone some time so they should make themselves at home.

Which in this case is an excuse for a quick bout of some hot sweaty sex-based shenanigans in the guest bedrooms.

Rushing to their rooms to unpack, undress and start shagging, poor little Michael (the legend that is Peter Bark looking for all the world like the result of an unholy pairing of Kevin Spacey and a warty testicle) is left alone in the downstairs lobby with only his Rubik Cube and Eye-Spy book of European arses for company.

Your mum and dad. Having sex.

In your bed.

After amusing himself for a few minutes playing with the hat stand and creepily chasing the maid, Michael decides to creep in on his mother and her mightily mustachioed lover in order to pick up a few sex tips.

We've all done it.

None too surprisingly the sight of a bowl headed, poppy eyed freak gazing lustfully from behind the sideboard does nothing for her growing passion so she throws a shoe at him screaming "Get out!".

As we will learn later, Michael has a wee thing for his dear mum and doesn't like her hanging around with perm haired, tanned Lothario's, no matter how tight their arses look whilst thrusting up and down on his mummy.

Fair enough.

Insert cock here.

After a morning of gin soaked sexiness and rampant STD's the couples settle down to some top grub whilst discussing the Professor's paper on the magical practices of the ancient Etruscans (ah, you studied that too eh?) before deciding to frolic round the lush gardens.

Michael on the other hand has decided to just sit and stare at his mums breasts.

Saying that tho' if my mums were half as bouncy I'd do the same.

But I digress.

Anyway, just in case you're wondering the frolicking in question mainly consists of sexy photography, breast fondling and general fanny flashing sauciness.

Fun for them maybe, but not for the viewer, unless you find the idea of middle aged Italian couples in nasty 70's fashion dry-humping to a sub Confessions score attractive.

Your maw's takin' the divorce well.

Luckily tho' just when you think the movie is going to descend into a soft core Euro-porn extravaganza, the dead do indeed start to rise from beneath the rosebushes and - remarkably for rotting centuries old Etruscans - manage to cut off any access to the cars, run the really annoying Janet (not the same of from Zombie Lake mind) into a handy bear trap, kill the non mustachioed man with a house brick and trap the shaky, shot to fuck survivors in the house.

And all within about twelve minutes, which isn't bad for a group of shite-covered tramps.

A shite moothed zombie

Etruscan yesterday.

The group are left with a big decision to make....do they:

A. Board up the house, arm themselves, find a safe vantage point (i.e. the attic) and defend it till help comes.

or


B. Argue among themselves, wandering off in a huff occasionally (alone).


Unbelievably Mr. mustache decides it would be best to board the house up! Everyone looks at him, then each other, then back at him (except Michael who's still staring at his mums breasts) and then start arguing.

"Hmmmm....

dirty pillows..."

One of the ladies (who cares which, they're all annoying) strops off and almost instantly gets killed by a knife wielding carnie zombie (unusual but quite nice).

Scarily he's not even the brightest one, I mean these zombies can actually plan attacks, use weapons and climb walls!

This skill is particularly useful when attacking the (still fairly hot) maid whom the undead horde manage to pin thru' an upstairs window and behead with a large scythe, which was unexpected to say the least.

Zombie Flesh Eaters? - Never heard of her.

Whilst all this is going on, Lothario man decides that the best course of action is to let the zombies into the house whilst the survivors hide in the pantry (do houses still have pantries?) sobbing like babies.

Surprisingly all the survivors think this is a great plan, except Michael that is who has an even  better idea.

You see he reckons now would be the best time to try and shag his mum.

Tom Cruise: the high waisted years.

Not knowing anything about shagging mums (well, not my own anyway) I'm quite sure (tho' I could be mistaken) that grabbing her breasts and trying to stick your tongue in her mouth isn't the way to go about it.

Unluckily for Michael this is just the smooth move he uses on her.

Unsurprisingly his mum freaks out a wee bit and throws another shoe at him screaming "Get out!" (it's becoming a habit) and Michael waddles off, only stopping to get bitten by a zombie.

Poor boy.

The survivors are faced with another difficult choice:

A. Run in the direction of the cars and drive away.

or

B. Run past the cars into the woods blindly waving your arms about going "AAAAAAARRRRRGGGGHHHH!!!!!"

Which choice will they make?

Will they drive to safety or encounter a monastery full of black cloaked zombies?

Will Michael return from the grave to be met by his terrified mother or will she try to breast feed him in the most uncomfortable scene ever filmed?

The answer may be yes to the last one by the way.

Rush out and buy Burial Ground (or The Zombie Dead as the cheapo Vipco release calls it) and find out.

A bloody (not shitey) mooth

earlier today.

Seriously what can I say about Burial Ground that hasn't already been said before?

And sometimes by people that have actually seen it.

I mean let's be honest here, Burial Ground is utter shite from start to finish but for all it's faults (including the abysmal acting, paper thin characters, inept plotting, joke shop zombies, misspelled captions etc.) it's possibly one of the most entertaining films ever made, mostly down to Peter Bark's portrayal of the freaky mummy fixated Michael.

I mean whoever thought a 25 year old pot-bellied dwarf in a wig and nipple high trousers would make a convincing 12 year old deserves a medal for the sheer audacity of suggesting it.

He wanders around the film like some scary clockwork Dario Argento doll, either staring at his mums breasts or just staring into camera.

For what seems like hours at a time.

But his moment of triumph comes in the films closing moments; surrounded by the undead and with no means of escape the zombie Michael is welcomed by his open bloused mum to have some "mother's milk..."

Genius?

Probably not.

Exploitative bad taste?

Quite possibly.

But it does give it the edge over 28 Years Later with it's wannabe, Daily Mail baiting Jimmy Savile Power Rangers mash-up.

Plus Peter Bark's wig is way better.

Caption.

There are some (very snooty) reviewers who actuall blame this film for the death of the Italian zombie genre and to those that do I have only one thing to say.

You're very wrong.

And Zombie 5: Killing Birds.

Hang on, that's two things.

To be honest I really don't have the words to adequately sum up the sheer unadulterated genius that is Burial Ground and to be fair you won't either when you finally brave The Nights of Terror.

Because you know you want to.

Cinematic gold.

*This is the best obviously.

chilly con carnies.

 

Remembering when this beauty came out on DVD from the Arrow films years ago and my vain attempts to blag a copy for review purposes were all for nowt.

As was my attempt to get some new (any) readers.

Anyway, noticed that this review had been looked at a grand total of about 8 times in 8 years so thought I'd rejig and repost it seeing as it appears no-one is actually reading the whole 31 days of horror thing anyway.

And if you are reading it no-one has told me.

Anyway enjoy.

Malatesta's Carnival of Blood (1973).
Dir: Christopher Speeth
Cast: Herve Villechaize, Bill Preston, Daniel Dietrich, William Preston, Lenny Baker, Paul Hostetler, Betsy Henn, Jerome Dempsey, Chris Thomas, Karen Salmansohn and Janine Carazo.

You'll Shriek With Horror! ... As You Watch His Victims Take a Diabolical Roller-Coaster Ride to Bloody Death! - Brexit in a nutshell.

Somewhere and sometime in the evilly dressed early seventies, teen bombsite - sorry bombshell - Vena Norris (Carazo, looking like a chubby Suzi Quatro - which isn't necessarily a bad thing - in her only film role) is busy having her fortune told by the cross-dressing Jewish gypsy Sonia (1977 Tony Award winner Baker in a character combination that's more than likely to get me and this blog cancelled these days) at his stall in the famous Malatesta Carnival (of blood obviously)  whilst her parents, Frank (An Innocent Love's Hostetler, looking for all the world like an even more down at heel - but pre-death obviously - Tobe Hooper) and Noreen (Henn), are being shown around the site by the Mr Barry Blood (teevee stalwart and ex partner of Makepeace, Dempsey), sideshow owner and part-time recluse cum Malatesta’s enigmatic business manager.

"You're my wife now!"

It appears that the Norris family are opening a shooting gallery at the carnival and Vena is naughtily wasting time chatting to mind-bending transvestites rather than doing what she's been asked to - which is be set up the stall - but when she finally decides to get to work wouldn't you know it she gets distracted again, this time by the guy who runs the tunnel of love, a studly young buck named Kit (writer of the fantastic P. Diddy Presents the Bad Boys of Comedy Thomas) who slinks over to 'get to know' our pretty heroine.

Easy tiger.

His smooth moves are rudely interrupted tho' when the Ferris Wheel running Davis clan, complete with harsh faced obnoxious daughter 'Toby' (Salmansohn, latter day Hollywood story consultant and best selling self-help book author) turn up to say hello.

In between Toby's ear piercing whining regarding rubber chickens that is.

Hoping to placate Toby and get rid of mom and dad for a few minutes Kit offers them a free ride on the tunnel of love.

A ride from which none of them return.

In fact all Kit finds are Pa Davis’ shattered and blood stained spectacles.

A lovely firm tummy and milky white thighs you could ski down...and that's just the fella.

That night in the Norris family trailer, Ma and Pa are busy entertaining Mr Blood, whom we discover, was once told by 'doctors' that due to his unusual metabolism he had less than six months to live but thanks to a special diet he's managed not only to defy the Doc's expectations but learn how to look good in a cape.

By good I mean really fucking sinister obviously.

Even later - it's all go isn't it? - Kit and Vena meet up near 'The Ghouls Eye' (which I'm assuming is a ride and not a reference to the carnival cleaners unfortunate ocular problem) for a chat and stuff whilst elsewhere in the deserted carnival two checked shirt wearing drunk types (let's call them Pete and Pete) are stumbling around the empty stalls looking for a ride on the roller-coaster.

Each to their own I guess.

Luckily the ride just happens to be open and Pete jumps at the chance for a shot, unfortunately half way round he's decapitated by some hidden cheese wire  causing the other Pete to start screaming like a baby.

Annoyed at all the noise Mr Blood orders the aforementioned bog eyed cleaner, Sticker (Oldie Olson from Late Night with Conan O'Brien, Preston) to stab him to death with his pointy rubbish collecting stick before carrying the body off to a secret blood siphoning facility hidden beneath the carnival where a number of ashen faced freaks gorge themselves on Pete's still warm flesh.

"Eye son!"

It's round about this point that Vena and Kit begin to suspect that there may be something slightly odd happening at the carnival.

Cue a heady mix of surreal dream sequences, top quality chases and extended scenes of a possibly bra-less Vena jogging thru' a park in slow motion.

Oh yes and a gun obsessed dwarf named Bobo (the late, great Villechaize) spouting all manner of sinister bollocks whilst the grey faced flesh eaters sit about enjoying grainy copies of the best of Universals silent back catalogue.

No, really.

John Carpenter, up the casino, New York, 1997.....YESCH!!

 

 

 

However just when you think you got your head round the whole reality/fantasy/drug induced dream stuff you realise that Vena has indeed been out running all night and yes, she actually isn't wearing a bra but don't worry because just as the movies already stretched view of realism looks like it's going to snap like so much cheap knicker elastic the grey faced flesh eating tramps suddenly attack the Norris' trailer leaving big panted dad to fight them off with a spud gun.

Two puppies fighting in a sack yesterday.

 

Returning to the carnival and oblivious to all that's going on around her Vena is fairly surprised to find poor Kit impaled on a large  paper mache clown causing her to scream apathetically and run off into the carnival catacombs with Sticker in wobbly pursuit.

Meanwhile back at the trailer, Pa Norris has not only vowed revenge on somebody but also decided that the best means of escape would be to blow up the trailer and run away in the confusion.

His wife however isn't convinced.

Cue offscreen explosion and a prolonged chase around the various stalls as more and more of the strange underground cannibal spew forth into the park....

MMMMOOOOOOSSSSHHHHHHIIIIII!!!!

Will the Norris family survive the oncoming cannibal apocalypse?

What hideous plans do Blood and Malatesta have for the perky Vena?

And where will her boyfriend Johnny stay when he arrives the next morning now that the Norris' camper van has burnt down?

Fantastically plotted, linear and expensive are just a few of the words you wouldn't use to describe Christopher Speeth's little seen horror oddity, lost in his spare room for decades and only let loose on an unsuspecting public decades later.

But then that might not be a bad thing when you realise that you'll end up describing it as one of the surrealist and most terrifying movies of all time.

And that's just Bill Preston.

Malatesta's Carnival of Blood is quite possibly one of (if not the) greatest horror movies to come out of the 70's, playing out like a big screen version of the worst acid trip you've ever experienced, it's dream logic and total lack of regard for the rules of cinema (and good taste) will leave you boggle eyed and shaking like a baby on a window ledge with it's heady mix of cannibals, vampires, inflatable sets and little people but the icing on an already sickly sweet cake are the performances from the leads.

Taking the concept of 'non-acting' to new heights, everyone on screen appears to be playing to an unseen audience, almost unaware of the other actors around them.

Genius Mr Speeth, true genius.

Groundbreaking and unique, this is the kind of film this blog lives for.

And so should you.

Beg, borrow, steal or even sell your entire dvd collection to pay* for a copy because you need this.

Badly.

And I need a cold shower.

Gah.












































*Not brand new obviously just go to the big CEX in Renfield Street, they have it in for 2 quid.